Author Archives: Chris

Rubber (2010)

MV5BMTU2Nzg2NDQ2Nl5BMl5BanBnXkFtZTcwMDk5MjMzNA@@._V1__SX1859_SY847_I find myself with more time to look at Netflix lately, he lied glibly. No, but seriously, what I mean is what I’ve always claimed: I’ll watch movies at home if there’s someone to watch them with, and lately there has been. In fact, I’ve probably missed a couple of reviews, but my commitment is returned; from here on out, new-to-me movies will happen on Netflix viewings too. (I’m streaming these days, though; I gave up on my ability to return DVDs like a year ago.)

Therefore, I watched Rubber last night. Rubber is a horror movie about a tire that rolls around the desert, killing people. No, seriously. It’s somehow a great deal more than that, though. See, there’s a monologuing sheriff, a Greek chorus of sorts, a sometimes naked French lady, and metareferentiality that goes so deep it actually turns inside out on itself. If you liked carrying around no tea for the duration of the Hitchhiker’s Guide to the Galaxy Infocom game, or if you like absurdity for its own sake, or if you like watching things explode, this movie is for you.

If you would spend the entire movie asking why there’s a tire with motivations and psychokinetic powers in the first place, this movie will try very hard to be for you anyway. If you let it. It’s an 80 minute flick that felt like it lasted less than an hour, though, and I mean that as a compliment. So maybe give it a try?

The Walking Dead: All Out War Part Two

81hYcJq6KNLSo, I finally reached the point I’ve been anticipating for like four books? Five? Years, anyway. All Out War (part 2) does not have a part three. Storyline resolved. For all that it matters, it was resolved satisfactorily, with clever turns, expected, unexpected, and subverted. I am quite satisfied with this book.

I am far less satisfied with the fact that another book will follow it. (In fact, already has. This is the kind of behind I fall when I’m not allowed to read for two plus months.) I hope I’ll find out I’m wrong, since I know I will find out, but I really doubt that Kirkman has new stories to tell. And I can’t even comfort myself by saying of course he had to write more, this one ended so terribly. Because, nope, wind or not, this was an ending. …could have been, anyway.

Ultimate FF: Strangest Ever

81hWGc63i3LThe newest wave of Ultimate books is finally here! Which is to say, they dropped within a week or so of the site coming back up, and despite there being three of them already, that’s just a timing issue and I’m not nearly as far behind as it sounds. Unlike if you were to be talking about Brust or Rothfuss or King or Butcher, to name a few twitches I’ve had lately.

Strangest Ever is certainly a book that lives up to its title. It’s not the Fantastic Four like you’d think (unless you’ve been following these plotlines, in which case you’d think that’s entirely ridiculous). Instead, it’s the Future Foundation, which is basically Tony Stark’s and Sue Storm’s brainchild to defend the planet against extra-dimensional incursions of the type that came so close to wiping out all life, a book or so ago. And that’s a good idea, as far as it goes. It’s just that it seemed to turn into an excuse to trot out every bizarre event that has ever happened in the Marvel multiverse. It turns out I have limits?

But that’s a matter of taste, which I accept. It’s not objective truth, like the fact that nobody wants to see a purple Iron Man. And it’s not something that clearly should be objective truth, like that nobody wants to see dead people come back. The whole Ultimate thing up until now has been so good about that, and okay, they had a really good excuse this time. They earn credit with me for not having used, much less overused, this excuse. But the reason why they have that credit is that they don’t do it. The whole thing makes me skeptical, is all I’m saying.

Anyway, my point is this: I look forward to seeing someone take the reins on the new era soon, and I especially thank my stars that Bendis has stuck around. Someone give him the reins, yo.

Interstellar

MV5BMTc1NTM2ODQxM15BMl5BanBnXkFtZTgwOTc1NTM3MjE@._V1__SX1859_SY893_On Monday night, I took my father to see Interstellar. Accurate things gleanable from the previews are that it is a movie about mankind in her final hours, struggling to find an escape from a used up Earth, and that it is a movie about the tension between responsibility on small scale (family) and large scale (survival of the species), and that it is a movie about flying to Really Cool parts of space and showing Really Cool, Scientifically Factual things about those parts of space on the screen. So, y’know, it’s a science fiction movie. Cool.

Tonight, I’m sitting in his hospital room after a cancer-related surgery that to all appearances has gone well. I can’t say a whole lot about really cool parts of space here, and I can’t say a lot about the end of mankind, and I can’t really say a lot about responsibility. But I definitely couldn’t help, while watching the ten-year-old girl watch her father getting ready to leave her behind, knowing it was probably forever despite anything he had to say, feeling a twinge of existential terror. I am not, nor have I ever been, a ten-year-old girl. But I think that some parts of the human experience are universal. It may not be blood, it may not be age, it may not be gender, but correct in your mind for whatever part needs correcting and I’m still saying: nobody wants their dad to leave. No matter how good the reason might be, and not many people have as good a reason as “if I don’t, we’ll all just die anyway.”

I usually, and imdb certainly did in this case, separate out my category tags by reserving sci-fi for movies and science fiction for books. But sometimes (Children of Men springs immediately to mind, as it often does when I’m thinking about things like this), when a movie goes to such great lengths to focus on our shared experience of humanity even though we should by rights be looking at really cool things in space? Well, my point is that I try very hard to make these tags usable, in case someone were to ever want to browse by them. And this was, like I said in the first paragraph, definitely a science fiction movie.

Cool.

And, dad? Thanks for staying.

John Wick

MV5BMTU2NjA1ODgzMF5BMl5BanBnXkFtZTgwMTM2MTI4MjE@._V1__SX1859_SY893_Ironically, I remember John Wick plenty well, since I only saw it like a week ago. Well, no, that’s not ironic at all. That was the premise for the actually ironic thing, which is how little I want to say about the movie.

Partly this is because it’s a non-science-fictional action movie starring Keanu Reeves, and I think everyone on the planet has decided whether they are interested in that movie no matter what I have to say about it. But mostly it’s because this is the purest, least objectionable[1] revenge movie ever made, and I don’t want to take anything away from the impact of that purity and clarity of focus by actually discussing it.

So if you need catharsis for something? This might well work.

[1] Least objectionable motive for revenge, is what I mean to say. Obviously, objectionable things happen, not least among them the impetus.

The Equalizer

MV5BMTQ2MzE2NTk0NF5BMl5BanBnXkFtZTgwOTM3NTk1MjE@._V1__SX1859_SY893_I know I saw The Equalizer before Myschievia, because I saw it the same day I bought my new canvas tent, which while not as waterproof as advertised, is far more waterproof than I have ever had a tent be in the past. Which is to say, more than a month ago.

I’m kind of sad that this has to be one of the shoddy movie reviews I had mentioned earlier (in point of fact, I may have seen it before I finished reading the Stormlight book, they were within 24 hours of each other, but who can remember?), because I had some thoughts about race and remakes while watching it that I no longer feel comfortable delving into, with the material no longer fresh in my mind. Something about the lack of black action heroes (well, since the ’70s anyway) and incorporating a comedy routine I heard sometime in that same time period but no longer remember the author of that discussed black remakes of what had been white movies, and the cultural shifts that occur and how this movie doesn’t really have that, but it’s all too vague and muddled in my head to feel particularly comfortable making a go at it.

Still and all, if you were wondering whether an action/mystery series from the mid ’80s with a British protagonist needed a modern-updated prequel starring Denzel Washington, with Hit Girl as an Eastern European prostitute who is his initiating client, the answer is: yeah, I’d keep watching that series. (In fact, there’s a sequel in development, but man, just like Star Trek: The Reboot Picture, this would be far better served by a TV season than a movie every two or three years.)

Words of Radiance

51RoBAb1oyLThe problem with your website being down for two months is, you can’t remember what happened in between. I mean, no. I’m fully aware that I thought Words of Radiance was a good book, that it did another good job of being largely self-contained[1], that it did a great job of throwing a lot of new information and a lot of really cool new magic- and world-building, that I stayed invested in the characters.

So all in all, I still have the sense of the thing. But themes? Discussion of specific plot points I might want to put behind spoiler space? I sincerely got nothing. The good news is, I haven’t read any other books in the meantime, and I’m bound to read this again, so probably you’ll get a replacement review which will be good, someday? And more importantly, no other shoddy book reviews!

Shoddy movie review(s?), though? Probably.

[1] That’s not what I mean, but I don’t know how to pithily encapsulate what I do mean. Which is that I felt like it told a complete chapter within its larger story, and did not leave me feeling cheated out of getting more Right Now. In short, it’s doing a good job of maintaining its place in third-wave epic fantasy.

Guardians of the Galaxy

MV5BMjA3ODU4MDUyMl5BMl5BanBnXkFtZTgwNTE2OTkzMTE@._V1__SX1859_SY893_The crazy thing about how far behind my reviews have fallen isn’t that the backlog is huge, but that it’s so very, very small. There’s the movie I saw before this, which I have finally accepted won’t be served by a useless review and which will therefore have to wait until dollar theaters pick it up so I can purge expiate my sins, there’s this one, and there’s one book I finished almost at the same time. Nothing else.

I haven’t exactly been avoiding the theater? I have most definitely been avoiding books though. Which is to say, boy howdy have I read a ton of comics over the past month. None of that has anything to do with anything, except oh wait, it totally does, since I just remembered that the movie I am reviewing is Guardians of the Galaxy. If you were to guess I had seen that comic in the mid ’70s, the answer would be, sort of? I did, but just the premiere issue so far, and it has nothing whatsoever to do with the characters that populate this movie. I did read a handful of issues of Adam Warlock which introduce Gamora, making her, so far as I can tell, the oldest of these characters in Marveldom. This is not only pretty cool, but it definitely puts a pleasantly ironic spin on a situation I read about a few weeks ago where someone was selling kidshirts of the characters and left her off because she wouldn’t appeal to boys enough. That’s already dumb on the face of it, obviously, but man oh man is it five times as dumb with the added knowledge about their collective history in comics.

None of which has anything to do with how good the movie is, I know, but… it’s been out more than a month. I kind of missed the boat on that one already, y’know? But let’s pretend I haven’t, and someone who can see this hasn’t actually seen the movie yet. It’s like this. A misfit kid with the soundtrack of the ’70s and ’80s as his sole possession in life winds up in space because that’s how comics work sometimes, only now he’s a cool thief[1]. Then he gets caught up in a galactic civil war[2] between the Kree and some other people who are not the Skrulls and who I would probably know more about if I had read comics from the ’80s, meets up with the daughter of the baddest dude in the galaxy[3], not to mention a psychotic raccoon, his pet tree who has a lot to say but only the raccoon can translate, and an angry tattooed giant out for revenge because the second baddest dude in the galaxy killed his entire family one time.[4] Then, they… well, the point is, literally any damn thing could happen, and if you aren’t desperate to know what, we are entirely different people, you and I.

[1] Not the Danny Ocean kind of thief, the Indiana Jones kind, if Indy had ever acknowledged that he’s totally a thief but for museums, which by the way is 100% what he is. I mean, it’s not his fault, it is colonialism’s fault, but think about it.
[2] It’s more complicated than that, but at some point I’m just writing a spoiler-filled summary of the movie instead of a review; plus also, if I break it down, the movie sounds less like Star Wars.
[3] Who we last saw financing the destruction of the earth for unknown reasons.
[4] “For you, the day Bison graced your village with his presence was the single most important moment of your life. For me, it was a Tuesday.” Oh Raul Julia, we miss you still.

Powers: Cosmic

71DwWGj1SOLHonestly? I kinda got nothing here. This Powers collection has retroactively justified my recent acceptance of Captain Marvel into my personal Marvel comics canon, since it is about the death of Earth’s Cosmic guardian and what that means for the planet’s future. (Because, you see, that’s what Kree-born warrior Mar-Vell’s story has eventually metamorphosed into.) But otherwise, it is by and large standard Powers fare, with murders to solve[1], heroism to be performed, and major plot-points to be incrementally moved forward.

If I could talk about said plot-points without big spoilers for previous parts of the series, maybe I’d have more to say. Because there’s definitely a building theme over the course of the series, one that I could not have predicted before being an unregistered superhero got outlawed and which now seems unavoidable in retrospect. But, yeah, major character and story arc spoilers lie in that direction. Next book, when things come to what I assume is an inevitable head, I’ll just have to duck behind the spoiler cut and talk about it anyway, but since both character arcs were in set-up mode this time, I can safely wait one more time.

Meanwhile, a structural discussion. Every issue in this collection started with a coffee-house-looking open mic night, with a different random character from somewhere in The City(tm) doing a different not-quite-comedic stand-up routine. It’s not that they were bad, by and large. It’s that they felt like they were supposed to be making some kind of thematic resonance, either within the current plot or maybe even issue by issue. And, I flat out did not get it. I have no point here, I just wonder if that’s on me or on Bendis.

[1] Notably, the one I already alluded to.

Braid

51baP9k+ubLAnd then, the first and last game of the weekend[1], Braid. The downside of which is that I am obligated to find a way to review Braid. (The upside, obviously, is that it was a fantastic game, full of challenging and rewarding puzzles and a truly incredible (and incredibly presented!) climax to its story.)

The thing is, I don’t really want to say anything about it, because it is to be played, not told. So I’ll give you what you can see and what you can begin to intuit from the first two minutes of play, and then I’ll nod to myself and consider my job done[5]. Have you ever played Super Mario Bros.? The one for the original Nintendo (also there was a somewhat different arcade version) with the walking mushroom people and the giant lizard who kidnapped Princess Peach? Along every meaningful angle from which you could consider SMB, this game is the response to that game. </wise nod>

[1] I had played a great deal of it before[2], and I also took a break in the middle before coming back to wrestle with the last few, ultra-hard levels. Ultimately, there were seven such that a walkthrough was involved in[4], and of those, I only felt like I should have figured out two of them. The rest involved knowledge I had somehow missed having or ideas that would never have crossed my mind to attempt.
[2] Annoyingly, on the XBox 360. Will I go back for my gamerscore? Probably not![3]
[3] I mean because I’m pretty lazy, but honestly, going back for gamerscore feels like missing 100% of the point of the game, too.
[4] Awesomely, my host had the walkthrough and doled out the hints gradually, so sometimes it really was just a hint.
[5] If this sounds like a candyass way to conduct my affairs, well, a) maybe it is at that, but b) it doesn’t change the fact that I would be robbing you of an experience you owe yourself. If you play video games and people don’t sidle away from you because of things you say at social gatherings, then trust me. Just play the game. The five or ten bucks that it will cost you is worth it, as is the hour or three of time you’ll spend.