Monthly Archives: November 2019

Crossways

As usual, a weekend in the woods means another Deathlands book[1]. I don’t have a lot to say about it, because it was extremely transitional. Also because reviewing these is starting to feel a little like reviewing individual issues of comics? I think the latter is more true because this one was transitional. Like, when you have a really good four to six issue Spider-Man or Avengers run, and they’ve set up hints about what will happen next that’s big, but in between there are a couple of episodic villain of the week bits, with maybe two panels each dedicated to “no really, the next story is about to happen”? This is that but in book form.

And don’t get me wrong, the aggregate story is not hurt in the least by the transition, but there’s not a lot to say about it, nevertheless.

They’re still teleporting around, there are still dropped hints about teleporting Samurai too, plus a cast change and the first seeds of the big story that will follow whatever resolution occurs with the Japanese teleporters. Also: Crossways has enough dining establishments in a row to make me realize I can’t really wrap my head around either the economy or the distribution chains that would make some of the dishes they are making on the regular possible.

This last bit makes me sad, because I don’t want to accidentally ruin the series thirty books in by overthinking whether the world is plausible.

[1] Except I didn’t actually read a lot, and then took the rest of the month to finish. At least I am reading, unlike in August.

Fairest: The Hidden Kingdom

I’m going to start in a couple of weird places. First, a word about Amazon. I understand that it has turned into something of a flea market, like, from an observational perspective. This doesn’t bother me because I can mostly tell what I’m buying and what I’m not. I hear people talk about counterfeits, and I believe it, but I’m either okay at this or lucky, and either way, yay. I bring this up because I just saw something unpleasant while preparing for this review. The link I found for The Hidden Kingdom indicates that it’s not Prime eligible and is being sold by a third party vendor, which is fine as far as it goes, except that it also shows the notification that I bought it from this link in 2013. When it definitely was Prime eligible and being sold directly by Amazon. Is that as messed up as I think it is? It seems deeply troubling. But where else am I going to buy, well, everything except food?

Then, a word about covers. I’m not a stranger to covers of comics collections that I read being only adjacent to work safe, and it’s not especially difficult to work around it. If I happen to have time for a reading break, it’s easy to read with the cover concealed, and when I do not I can just flip it over. So I’m a little annoyed that this book shows a different issue cover on the back side, which has an equivalent amount of Rapunzel nudity, only this time a kitsune is making out with her. Not a big help guys! And then, worse: the issues in this series were both written and penciled/inked by women, but the covers of the issues… you guessed it. Brotown. (The one to-be-fair is that the kitsune makeout scene cover is basically lifted straight out of the issue in question, but that doesn’t really alleviate much of my logistical or sexist concern. I don’t like being put in the position of having to come out against nudity in art, but, damn.)

Okay. That was a lot of words about not the book I’m reading. Cool. Moving on.

And then haha I didn’t move on, I did something else and later forgot I never finished the review, and now a month has passed. Super cool.

So, uh… there’s Rapunzel, right? And she’s on a quest to revisit her past between her early days as the adopted daughter of Frau Totenkinder[1] and her current days as a refugee in Fabletown[2], insofar as a) she wants to find her missing child that has been lost to her since its birth and b) she has been summoned by the past anyway, to Japan where the Japanese-style fables implausibly ended up while fleeing the expansionist emperor guy who used to be the bad guy of the series. Because that’s a lot of where she spent her time between child loss and fleeing the empire thing. Was in the land of Japanese fables. Before they went to Japan.

I am nailing this.

Then there’s also a one-shot wherein a tree lady dates a fox. With unexpectedly ominous hints about the future!

[1] Somehow, it never crossed my mind before to look up what the “toten” part of Totenkinder means in German. That’s awesome.
[2] This is a flashback, set some years before the series opened back in Fables #1.