Tag Archives: Marvel

Miles Morales: The Ultimate Spider-Man – Revival

51sHdZFm72LAs of Revival, I’m current on the Ultimate universe again, at least as it is released in collected formats rather than monthly. I hate to go all mysterious, but I also hate spoilers, so my review will consist of a short, open letter to Ralph Macchio or Stan Lee or whoever is in charge these days, and if you choose to read very much between the lines at all, you’ll be able to tell what I’m talking about and have your review, and if not, you’ll avoid your spoilers. In any case, I hasten to assure you that Bendis is still writing this series, and he’s still doing a great job, and I’m still eager to know what happens next. (Seriously, seriously eager.)

Dear Stan Lee or Ralph Macchio or whoever is in charge of Marvel story development these days,

You guys. Seriously. I cannot really take this anymore. I was unhappy when I learned the news in the first place, skeptical for a good long time thereafter, and only fairly recently have I come to terms with what you did. It was a big, bold, ballsy move, and it has paid off in more ways than I would have guessed back when I first knew it was coming.

I can imagine myself coming to terms with this too, not least because it gives me back what I want. But it’s not fair to the new guy that has been developing so nicely, and it’s also maybe not fair to the creation you’ve all been developing for the past 15 years now. I’m just saying, be careful.

No, that’s not true. That’s the least part of what I’m saying. What I’m really saying is this: pick a side. Stop fucking with me. I want clear answers, and I want to feel reassured that they’re really the real answers, and I know goddamn well that’s a ridiculous thing to expect from the comics industry, particularly around this kind of story development. Nevertheless, I can’t really take it anymore, and there we are.

You should know, though, that (like I told my so-called audience a few paragraphs up before the letter started) I did like the book, and I do desperately want to know how things turn out. Just because I’m roller-coastered out doesn’t mean I don’t want more. Also, holy shit with how cool J. Jonah Jameson was. It’s been a while since my jaw dropped reading one of your books. (And almost always because of Bendis. Hold onto that kid, okay?)

Sincerely,
The guy that runs this blog

All-New Ultimates: Power for Power

51Cmme49xoLI have mixed emotions about the All-New Ultimates. For one thing, well, there just aren’t a ton of familiar characters left alive in the Ultimate universe, and most of the ones that are left moved on to the Future Foundation. It’s not that I don’t want to see Spidey and his Amazing Friends battle street crime, it’s that it seems silly to shoehorn them into the Ultimates, just so that team is still “alive”. Same plot, different title? I’d… well, I’d still have some complaints.

Because, all of that said: I’m not sure I saw the point of Spidey and his Amazing Friends the Ultimates taking on street level crime in the first place. I mean, okay, the gangs seem to have powers, at least a little? And there are leftover renegade scientists from the Oscorp and Roxxon days finding new ways to screw people up. So on paper (heh), it’s a reasonable conflict. But: the Serpent Squad? Really? Which is me complaining about how the villain side of the equation is just as depleted as the hero side. That’s a structural complaint, but I also have a related plot complaint, which is that it seems like I should have heard of any of these gangs before, if they’re supposed to be a big deal now.

But then, all of that is balanced by the team’s make-up. Spider Woman, newly christened as Black Widow, is the leader. Then there’s Spider-Man, Bombshell, Kitty Pryde, and Cloak and Dagger. You’ve heard of maybe half of those, which is why my point is not coming across, which is that the Ultimates is comprised of four ladies and two dudes, neither of whom are white. Get these people some actual villains and storylines, and I could find myself very excited by what Marvel is doing right now.

Also, just give Jessica Drew (that is, new Black Widow) her own title, already.

Ultimate FF: Strangest Ever

81hWGc63i3LThe newest wave of Ultimate books is finally here! Which is to say, they dropped within a week or so of the site coming back up, and despite there being three of them already, that’s just a timing issue and I’m not nearly as far behind as it sounds. Unlike if you were to be talking about Brust or Rothfuss or King or Butcher, to name a few twitches I’ve had lately.

Strangest Ever is certainly a book that lives up to its title. It’s not the Fantastic Four like you’d think (unless you’ve been following these plotlines, in which case you’d think that’s entirely ridiculous). Instead, it’s the Future Foundation, which is basically Tony Stark’s and Sue Storm’s brainchild to defend the planet against extra-dimensional incursions of the type that came so close to wiping out all life, a book or so ago. And that’s a good idea, as far as it goes. It’s just that it seemed to turn into an excuse to trot out every bizarre event that has ever happened in the Marvel multiverse. It turns out I have limits?

But that’s a matter of taste, which I accept. It’s not objective truth, like the fact that nobody wants to see a purple Iron Man. And it’s not something that clearly should be objective truth, like that nobody wants to see dead people come back. The whole Ultimate thing up until now has been so good about that, and okay, they had a really good excuse this time. They earn credit with me for not having used, much less overused, this excuse. But the reason why they have that credit is that they don’t do it. The whole thing makes me skeptical, is all I’m saying.

Anyway, my point is this: I look forward to seeing someone take the reins on the new era soon, and I especially thank my stars that Bendis has stuck around. Someone give him the reins, yo.

Guardians of the Galaxy

MV5BMjA3ODU4MDUyMl5BMl5BanBnXkFtZTgwNTE2OTkzMTE@._V1__SX1859_SY893_The crazy thing about how far behind my reviews have fallen isn’t that the backlog is huge, but that it’s so very, very small. There’s the movie I saw before this, which I have finally accepted won’t be served by a useless review and which will therefore have to wait until dollar theaters pick it up so I can purge expiate my sins, there’s this one, and there’s one book I finished almost at the same time. Nothing else.

I haven’t exactly been avoiding the theater? I have most definitely been avoiding books though. Which is to say, boy howdy have I read a ton of comics over the past month. None of that has anything to do with anything, except oh wait, it totally does, since I just remembered that the movie I am reviewing is Guardians of the Galaxy. If you were to guess I had seen that comic in the mid ’70s, the answer would be, sort of? I did, but just the premiere issue so far, and it has nothing whatsoever to do with the characters that populate this movie. I did read a handful of issues of Adam Warlock which introduce Gamora, making her, so far as I can tell, the oldest of these characters in Marveldom. This is not only pretty cool, but it definitely puts a pleasantly ironic spin on a situation I read about a few weeks ago where someone was selling kidshirts of the characters and left her off because she wouldn’t appeal to boys enough. That’s already dumb on the face of it, obviously, but man oh man is it five times as dumb with the added knowledge about their collective history in comics.

None of which has anything to do with how good the movie is, I know, but… it’s been out more than a month. I kind of missed the boat on that one already, y’know? But let’s pretend I haven’t, and someone who can see this hasn’t actually seen the movie yet. It’s like this. A misfit kid with the soundtrack of the ’70s and ’80s as his sole possession in life winds up in space because that’s how comics work sometimes, only now he’s a cool thief[1]. Then he gets caught up in a galactic civil war[2] between the Kree and some other people who are not the Skrulls and who I would probably know more about if I had read comics from the ’80s, meets up with the daughter of the baddest dude in the galaxy[3], not to mention a psychotic raccoon, his pet tree who has a lot to say but only the raccoon can translate, and an angry tattooed giant out for revenge because the second baddest dude in the galaxy killed his entire family one time.[4] Then, they… well, the point is, literally any damn thing could happen, and if you aren’t desperate to know what, we are entirely different people, you and I.

[1] Not the Danny Ocean kind of thief, the Indiana Jones kind, if Indy had ever acknowledged that he’s totally a thief but for museums, which by the way is 100% what he is. I mean, it’s not his fault, it is colonialism’s fault, but think about it.
[2] It’s more complicated than that, but at some point I’m just writing a spoiler-filled summary of the movie instead of a review; plus also, if I break it down, the movie sounds less like Star Wars.
[3] Who we last saw financing the destruction of the earth for unknown reasons.
[4] “For you, the day Bison graced your village with his presence was the single most important moment of your life. For me, it was a Tuesday.” Oh Raul Julia, we miss you still.

Cataclysm: The Ultimates’ Last Stand

511fl0IJPOLThis is, what, the fifth Ultimate universe crossover event? Well, probably more even than that, but it’s certainly the second really big one, after the Ultimatum, which is cool because now I can start marking time from this instead of that. Based on the cover of this and many past books, I think it’s fair to say that if the Ultimate universe can even survive[1], this is certainly an event which changes everything, an event after which nothing can be the same!

And, okay, it’s a fair statement to make, right? The last time nothing could ever be the same, something like a third of the major and minor heroes died because Magneto flooded Manhattan and froze Europe solid. That’s some pretty hardcore destruction, and it certainly went after the highest density of heroes, with predictable and already-mentioned results.[2] If that sounds hardcore, then you can only agree that a confrontation with the literal purple-hatted Devourer of Worlds would be rather more Cataclysmic, right?

So, yep. Dire odds, check. Requirement for every single superhero to band together against total destruction, check. Desperate gambles, heroic sacrifices, senseless tragedies? Check, check, check. And of course, for anyone who’s been paying attention the last couple of years, we all know there’s only one person who can defeat Galactus, right? That’s some added conflict right there.

Like you’d expect, Bendis’ stories have the biggest emotional punch, but there’s really not a single bad moment anywhere in this event, which is far more than I can say for the muddled, incoherent mess that the Ultimatum storyline became. Let me say it like this: at the end of a story that featured significant amounts of Rick Jones, I do not currently despise Rick Jones. That? Is impressive storytelling.

And, y’know, it was valid claim after all. Nothing will ever be the same.

Probably.

[1] Spoiler alert: probably it can?
[2] Although, who could have predicted that the single largest impactful moment would have been the meeting between Ben Grimm and Victor Von Doom in the epilogue? Honestly, it’s still not clear to me whether even the authors are aware of just how instrumental that was to subsequent events.

X-Men: Days of Future Past

rs_634x939-140324091106-634.jennifer-lawrence-x-men.ls.32414Hard to believe, yet true: over the past fourteen years, there have been seven X-Men movies, all in the same continuity, and all including Hugh Jackman’s Wolverine. 20th Century Fox is doing nearly as good of a job as Marvel Studios. That’s really pretty impressive, all in all. (I mean, okay, the actual movies have not been as consistently good, but it’s nearly impossible to credit how much better special effects have gotten in the not quite a generation between then and now.[1])

All of which brings me to the seventh such movie, Days of Future Past, which is named after what I understand will eventually be a really important storyline that I’m still probably more than a decade from reading. That said, I’m not so sure it’s very similar to that storyline? It is, however, extremely cool and handles time travel pretty well, both philosophically and structurally. I don’t want to say much about it, because of spoilers, but the title already gave away time travel and the end of The Wolverine already gave away the Sentinels; so I will only add that I thought the Sentinels were handled at least as well as the time travel was, and probably quite a bit better.

What was handled best of all, though, were the characters. The movie is, more than anything, a sequel to First Class, which was already heavily character driven. All of the dangling conflicts are brought to fruition in satisfying ways, and what more can you really ask? Well, that the characters also be fully realized, but I think they are. (Speaking of which, the scene with “Peter” in the Pentagon? Definitely the best characterization of him I have ever seen, and all without a word of dialogue. Bravo!)

[1] That makes it sound like I’m saying the special effects are the only flaws in early or for that matter middle X-Men movies. I’m not saying that, but having watched the first one a week or so ago, special effects are what stuck out to me as the second biggest flaw, just barely ahead of pacing[2] and way behind upscaled 480p, which it turns out is eye-hurtingly unwatchable in modernity. At least, it is if there are any special effects happening.
[2] Because, seriously, half that film was spent on Liberty Island! Climactic battles should not feel draggy. And don’t even get me started on treating Rogue as a major character in one half of the flick only to leave her as a damsel in distress for the other half. That she was rescued by a mixed team instead of a big strong man helps a bit, but not really enough.[3]
[3] Talk about being in the wrong review, right?

The Amazing Spider-Man 2

Can I just say I’m really happy that Spider-Man got rebooted? I would not have predicted feeling that way, but after two movies into the current franchise, it is become more and more clear to me that Tobey Maguire’s take just didn’t really cut it. It’s true, Peter Parker has a really hard life; but he’s not a sad, mopey person, and that’s what we got out of the previous trilogy. (Yes, the second movie starring Doctor Octopus was still incredibly done every step of the way, and my realizations do not take away from that in the tiniest regard.)

There are plenty of things that work better about this new series. I’ve already mentioned how the seeds of sequels are planted here and there and all over the place, just as though it’s a living, breathing world in which all relevant information doesn’t happen in the same segment but instead gets spread out over time. Comics weren’t episodic in the 1960s at the latest, TV has stopped being episodic as of the 1990s, and if serial movies can make the transition? All the better for me! (And, I would argue, the viewing public in general, but nothing pleases everybody, regardless of how much it ought to do.)

As for the movie in question? Clearly, I am still okay with the basic structure and with the way the characters are being acted. Gwen Stacy is a strong, modern woman who actively contributes and makes her own damn choices[1], Spider-Man runs at a quip a minute, Oscorp is a creepy company that has its tendrils into everything, etc., ad nauseum, this is Spider-Man done right nearly as much as Marvel is doing its own properties right in the expanded Avengers franchise; my only complaint, if any, is that they aren’t all in the same world, as God and Stan Lee intended. And the story is pretty good too! Nearly everyone is paying for the sins of the past, sins none of the players actually committed. It’s not a new plot, but it’s one you can’t really go wrong with. Plus, usually that plot doesn’t star Jamie Foxx as a being of pure electrical energy with an inferiority complex. It’s cool, you can’t go wrong with that plot element either.

[1]  Which, okay, Mary Jane was doing by the 1960s also, and I guess you can see yet another reason why I’ve always been enamored of these comics.

Marvel 1602: New World

250px-1602_New_World_coverWhat do you get when you take the stable of Marvel superheroes, transplant their existence 350 years into the past (and initially across an ocean, but I think we all knew that wouldn’t last) and have the whole concept authored by the only comic creator ever to win the World Fantasy Award? Something that is, in all sincerity, pretty damn cool. What do you get when you follow-up on the aftermath of that first outing, using a completely other author that I’ve never heard of? Well, it’s a good thing I mostly like and am pretty familiar with these characters, at least.

New World, predictably, continues the story of the people of Roanoke, now that all of existence is no longer under dire threat. Instead, they have to deal with way too many “Witchbreed”, which is to say people with powers, and rampaging dinosaurs, and slimy land developers, and metal-suited men bent on revenge for historical wrongs. None of which was especially disinteresting, but the white man vs. indian plotline was trite and the rest didn’t hold a candle to its source material.

Most criminally for a story half of whose character arc was focused on Virginia Dare, she was barely present. I mean, she was there, working through her own “should I use my powers?” crisis, but that’s literally all any of her scenes were. “It’s too dangerous! I mustn’t! Should I?” Then, later, she decided. No process, no journey, just bad event leads to crisis leads to indecision leads to decision. Nothing reflective, no synthesis, nothing at all that would involve the rest of the plot, or some visible internal character growth.

I’ll say this, though: it’s nice that I expect comics to provide me with that. Hooray for a lot of people who are out there doing things right!

Ultimate X-Men: World War X

jpegIf the last several volumes of Ultimate X-Men had been bad, that would be one thing. I’ve seen them through bad stretches before, and if I do again, I’ll probably be able to work that out too. It happens. No, what’s so especially frustrating is that both the individual plots and the overarching one, finally brought to its climax in World War X, have been really quite good. Personal stories with high stakes, good interactions with the ongoing stories in the Ultimates, and the central mystery of why someone as powerful as Jean Grey has been so deftly used, or why she let herself be used, or why she’s turned so suddenly power hungry and maybe evil, plus also the mystery of which one of those it even is.

Except, and I say this with no opprobrium for the actual story of the battle between Jean Grey’s Tian and Kitty Pryde’s Utopia for the future (or the soul, if you’re feeling especially poetic) of mutantkind; that story was perfectly dandy and even pretty cool in places. Except: there’s no payoff. Not only do I still have no idea what made our Ms. Phoenix go off the deep end, there is really no hint that it was supposed to be hard to swallow.

Which renders the whole exercise not only frustrating, but at least a little bit retroactively pointless. Ugh. At least with Reed Richards, I know what happened. This is just bad characterization, going back basically all the way to right after the Ultimatum wave. Which means Jean Grey has been a plot-driven puppet for like four years. Ugh.

Which I guess I already said once before in that paragraph. But jeeze. Usually these are perfectly serviceable. Hell, I liked the whole stretch right up until the end, when I found out there wasn’t actually anything there, right? Okay. Done complaining.

Captain America: The Winter Soldier

Argh, this movie. Here’s the problem, in a nutshell. I saw it in a double feature with the first one, as a premiere event before opening day. And I had no idea how to review it, because literally anything I could say that delves into character motivations or why some characters work and others do not, and how…. anything at all would be a massive spoiler. So instead I’ve sat here for days, letting the review get stale, still just as stuck with nothing to say. It’s hateful is what it is.

Instead, I will talk about the event. Even though it’s probably all stuff I’ve said before. See, I’ve certainly discussed how much I love the Alamo Drafthouse out of Austin, and I know I’ve talked about my excitement that it finally came to Dallas. What I only believe I’ve said (but have no proof, short of 12 seconds’ worth of research that clearly isn’t going to happen) is how thrilled I am by the Dallas location’s management. These guys are as genuinely excited about their movie events as the original management in Austin, and not to leave out that they’re as excited as yours truly. It’s not the single most comfortable theater experience I’ve had, and it’s nowhere near the most high-tech or immersive. But I can always be certain of the quality of the audience, and I can always be certain of the quality of the staff, and I can always be certain of the quality of the event. More to the point, I can always be certain that every film I see there will be worthy of being called an event.

I’m pretty passionate about this chain, is what I guess I’m saying. And yes, the new Captain America movie was no exception. Where else do you get to watch animated Baron Zemo from the ’60s dancing around in glee after being reminded that maybe Paste Pot Pete can help him get the mask off his face from where it’s been glued for twenty years, during the half hour pre-show entertainment?

Okay, that plus the cut I’m about to put in here should be plenty enough spoiler space. Screw it, everything hereafter is for people who saw the movie or else want to be sad.

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