Tag Archives: dark fantasy

The Curator

A book has been sitting on my nightstand instead of my to-read shelf, for somewhere between one and a half to two years. Long enough that the top part of the pages are yellowed from the sunlight through the window behind my nightstand. I got it from someone for my birthday or Christmas, and I honestly don’t know who or why. Did I put it on a wishlist? I cannot rule this out, but I don’t know why I would have. And yet I cannot think of another reason it would have appeared, and nobody has asked me about it in the meantime.

But appear, it did.

The Curator, by Owen King[1], tells the story of a fictionalized probably European, probably 19th Century independent city[2] in the throes of revolution. See, the rich but liberal students at the University, after an inciting event, have taken it into their heads to free the extremely poor people in “the Lees” from their oppressors among the nobility, and the attempt is astonishingly successful, except… now what?

In the midst of these happenings, a maid lately employed by the university named Dora finds an opportunity to look into her older brother’s mysterious final moments, from when he died during her childhood, by becoming the owner of the newly vacated Society for Psykical Research, in which he had spent some time before that death and the complete failure of her family’s fortunes. Alas for her plans, it has burned completely to the ground, one odd doorframe in the middle notwithstanding, and so she becomes the Curator of the National Museum of the Worker next door, instead.

The remainder of the book, in a meandering style that the jacket copy accurately yet somehow non-pejoratively calls Dickensian, explores her new museum, and a city and its inhabitants in rudderless transition, and the mostly poor folk religion surrounding the many, many cats in the city, and the strange disappearances that are beginning to mount up, and the Morgue Ship that used to reside in the harbor as a penny dreadful curiosity until it got swept up in the inciting event I mentioned earlier, whereupon it disappeared, except rumor has it all those disappeared people are being abducted onto the ship as a part of their disappearance. Which is ridiculous, of course.

By way of recommendation, I must say that it’s been a while since I’ve been so invested in the fate of a new-to-me character, and almost all of the characters had something endearing to offer. I’m somewhat surprised I haven’t seen more noise around this one.

[1] of the Maine Kings. You might know him from his collaboration on Sleeping Beauties.
[2] Or I suppose it’s the capital of a fictionalized country? On the one hand, it never seems like more than a city and surrounding estates, but on the other, it has a king. Those kinds of details hover in the no-man’s land between sparse and irrelevant.

Il racconto dei racconti – Tale of Tales

They are still making fairy tales, you know. There’s The Princess Bride, of course. And Moana. And my personal favorite at the time, Stardust[1]. But thanks to my horror podcast, I have learned about another one: Tale of Tales[2].

Man is this hard to talk about without spoilers, though, so I will stick to brevity. See, there are these three neighboring kingdoms. In the first one, Salma Hayek wants a kid, and goes to rather extreme lengths to get one. But then she is not perfectly happy with either the cost nor (especially) the secondary results. This story features an enormous sort-of axolotl, which is how the podcast settled on this movie as a gothic story with an aquatic monster. Other than by volume, this was a fair assessment of meeting the stated requirements.

In the second kingdom, a horny king and a youth-obsessed woman run afoul of each other, with results that are extremely predictable, right up until they aren’t, and then boy howdy do they keep not being. And in the third kingdom, a princess in want of a husband becomes the prize of a pretty implausible marriage contest, albeit with, again, predictable results. Until they, also again, aren’t.

This movie, if all goes well, will win my personal 2024 awards for worst father, worst mother, and worst sister. Also, it’s at least a middle of the pack contender for both best brother and best husband. But did it need to be three stories, if they barely at all intersect with one another? I guess the answer is this: while two hours and fifteen minutes is a little long for a movie so focused on being slow and dreamlike and cinematic, three movies of forty-five minutes each would have been just ridiculous. So.

[1] No idea if it holds up. I just know I was the only one who thought it might be its generation’s Princess Bride.
[2] Apparently these are pulled from a 17th century Italian fairy tale collection, and thus do not I suppose count as “still making”, in the strictest sense. Goes a long way toward explaining why the “skin of a flea” story seemed familiar, though.