Tag Archives: dystopian fiction

The Maze Runner

I finished the second second Robin Hobb book and its review just before my annual five day camping trip, which was good timing because I wanted small easy books to read, instead of dragging around a doorstop in the woods. But then I made a terrible mistake. In the midst of packing, every book I intended to bring (and the Kindle) were left on a shelf. Which meant, a day or so later when it was time to read, I had nothing!

This is I think the third worst thing that has ever happened to me on a camping trip.

So, I downloaded Kindle software onto my phone and picked the book that sounded the most like what I wanted at that moment, out of the books I have Kindleized. Which was The Maze Runner.

I already saw the movie (but apparently did not review it? wtf), so there were not like a ton of surprises? Though, much like the movie, motives are still unclear to me. Anyway, it’s a teen book about teens in a maze. Also, they have no personal memories. But mainly there’s this maze, and they’ve been there a while, but everything it about to change. (Also, mazes are cool.)

This book mostly asks questions that I assume future books will answer. Why are there a bunch of teenage boys left in a maze with no apparent solution? Why are they supplied? Why do new boys keep coming? Why can’t they remember anything? Why are there murderous monsters in the maze? Why only boys? (I’m not sure if I expect an answer to this one.)

I only read like one and a half chapters while camping, but it felt a lot better knowing I had something to read if I wanted to than before that, when I didn’t and everything to read was like 150 miles away.

Z 2136

As you have no reason whatsoever to remember, I read the previous two books in this trilogy sometime in the last year or two I guess? And they were perfectly cromulent serial schlock. Hunger Games plus zombies, only a little light on the good half of that equation; and if I’m being honest with myself, probably they could have done a better job copycatting the game aspect of the equation. But still, if I don’t pause and think about the hundreds of better books on my to-read shelf, there was nothing wrong there.

As of Z 2136, consider that trend broken. And I mean, broken just really badly. This is the worst book that I’ve ever managed to finish. The writing didn’t change, and the already established characters were still, y’know, fine I guess. But the new viewpoint characters and the change in plot direction were just abysmally bad. Here’s my point, which I will need to entirely spoil the surprise ending of the second book plus I guess all of this one to make, but that’s okay because, seriously, do not read these books:

There were three main characters in the series, a father and two children. The father was part of the government apparatus but also had sympathies with the rebels who didn’t like living in six dystopian cities even though the walls kept the zombies out. Later, he killed his wife via mind control and was put into the zombie hunger games. Later still after learning the truth, his daughter was too. None of that really matters except that it’s an establishing shot for the shock ending of Z 2135, in which the father is executed, Ned Stark style. And then in the afterword, the authors were all, we weren’t really planning on this, but we decided we needed a big cliffhanger, so here you go!

Which leads into the third book, where one annoying guy is transformed into a raving lunatic, while another bad guy is transformed into a new father figure to replace the one they killed and then apparently realized they still needed. Result: half the book is spent on the motivations and travails of new characters about whom I already didn’t care, only now everything was so weird and forced that I actively hated them instead of just not caring much. Then, later, the book just kind of grinds to a halt instead of having an actual ending. Everything I’ve seen indicates this is a trilogy, which is a relief since Amazon would probably have already sold me book four at 99c before I knew how horribly things turned out; but I lost control of that sentence, and how I meant to end it was “but if I didn’t have these outside sources, I would be quite certain they were planning on writing more.” Because while it was not a cliffhanger demanding more story, it also was not the end of a story.

If everyone had died, that would have been more emotionally satisfying. First, because everyone never dies, and I’m pretty sure any real zombie apocalypse is much more likely to turn out that way than the way they always do turn out. But mostly because, fuck these people. They basically all deserved to die, and the ones who didn’t are at this point acceptable casualties in my vendetta.

Z 2135

51r4bMhNxML._SX331_BO1,204,203,200_Once again, my review material comes from the author’s afterword. This time, apparently, the authors of Z 2134 were disheartened by people who gave them crap for gleefully stealing from popular literature to mish mash their dystopic zombie-laden future. The goal for Z 2135 was to amp up the characterizations and the plot turns and prove everyone wrong while once again exciting their true fans.

Well… first of all, the series suffers from Harry Dresden disease. Despite being named after the year in which it occurs, everything took place over the course of two or three weeks, just like last time. Which doesn’t actually matter, but I always side eye that kind of thing a little. Otherwise? The characterizations were fine, but nothing to write home about. The plot turns are frequent and dramatic, that I’ll grant. In the end, though, the problem is that there’s hardly anyone to like. Sure, the teenage couple are nice enough, but the kid brother is too annoyingly indecisive to really latch onto, and while the government were always the bad guys, of course, I ended up with no interest in the rebellion either.

So there’s just this one family in the whole world that’s especially worth a damn? That makes for a pretty lonely world, even if they figure out a way to win in the third serial novel that doesn’t reward either horrible side of the struggle and only the innocent bystanders.

I mean, I’ll read it.

Z 2134

z-2134-coverIn the afterword to the book, the two authors discuss how, in the wake of a few successful turns as serial authors (a la Dickens, Doyle, or once, briefly, King), they decided that a good idea for their next plot would be, “What if The Hunger Games had zombies in it?” And, you know what? Yep, that is exactly the book they wrote.

Okay, that’s unfair in at least two ways. 1) The teenage female character is nowhere near as unlikeable as the book version of Katniss Everdeen. 2) The authors developed a world that is… okay, look, neither this world nor the Hunger Games one hangs together very plausibly if you actually start staring at the underpinnings. But this world makes at least as much sense after correcting for the zombies, and honestly maybe a little bit more, even.

Still, though. You cannot really define derivative more precisely than a book whose authors gleefully admit they combined a different successful book with a pop-culture staple. And as much as I’m a sucker for Rube Goldbergian arena combat to the death, that wasn’t even more than a third of the focus of the book. I guess I actually liked the characters and the premise enough to want to know how things turn out? Huh. Okay.

Warning: Z 2134[1] has two sequels and ends on several cliffhangers. Anti-warning: I think maybe there are only two sequels? And they’re all published, so. I know it sounds like my standards have plummeted here, but a) let’s be honest, they were never really so high as that, and b) it’s always nice to have a mindless book to read at a burn.

[1] Oh, also, the title is super-imaginative, right?