Category Archives: Words

The Fall of the Readers

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I have read a four book series to my (at the time[1]) five year old son. I’m not saying he saw every plot twist coming[2], but he is absolutely capable of focusing on the story and retaining information between books. I’ve been considering The Hobbit, although Mary says he’s too young for chapter five.

Anyway, The Fall of the Readers marks the end of Alice’s journey from orphaned apprentice to… well, to whatever she is destined to be, right? Can’t very well give away the farm right at the end, can I? But the point is, she has done three or four impossible things before breakfast, and it’s time to take the fight to the Readers[3] themselves. This will probably involve puzzles and mazes and friendship, like usual, you know?  And also like sacrifice, if the last couple of books are any measure.

And that’s only part one…

I declare myself satisfied with this series. It did not end the way I expected, it had a major reveal that I also did not expect, and it was worlds more my speed than a lot of the books that I read to him. I mean, I also wanted to know how things turned out! …as opposed to already knowing is most of what I mean, but also as opposed to not really caring.

[1] (As of today, he is six, you see)
[2] To be fair, I’m not saying I did, either
[3] If you know, you know. If you don’t know, well, it’s right there in the title. You can’t exactly pretend to surprise.

Blood of Dragons

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I have now finished four out of five Robin Hobb serieses. Look at me go!

Blood of Dragons was on the one hand extremely satisfying, because I feel that one of the stories she’s been telling has reached a natural conclusion. I now feel that I know the fate of dragons and the Elderlings, in this world. Of course there’s room to tell more stories if she wanted to, because isn’t there always? But I mean, in broad strokes, this ending has told a complete story.

On the other hand, some of the plot turns were not particularly satisfying at all, because there was no real sense of danger. Which is a very strange thing to say about Hobb, who in the past has been willing to do almost anything to destroy her characters. Example, and without wanting to go into specifics, but there’s a character who is in legitimate danger of death, except that a different character depends on the survival of the first character, and I could not for a second believe the second character was actually in danger, and so therefore, transitively…

At other times, I still felt the danger, so I’m not saying she’s lost the touch or that this was bad, exactly. It just… is not what I was expecting. And maybe one way to reset my expectations is to return to my prior point about how it was clearly the end of a storyline in the overarching tale, and maybe that should leave some room for expecting a happy ending.

But that’s just it. I want Fitz to have a happy ending in the next trilogy, whenever I read it, but I don’t want to feel like it’s a given. Then again, none of the relationships that were in danger felt safe at all, until they were fully resolved. And Fitz’s failures, at least after the first couple of books, were always mostly on the relationship side. So maybe I should stop worrying about not having to worry about.

The Palace of Glass

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I have now read three books out of four in the Forbidden Library series, just really quickly compared to my usual pace. This is directly because the boy is just about obsessed with them. When I finished the third book a couple of nights ago, he asked me to immediately start book four, even though I have several books from the library he wanted to read and also a lot of new books in his very favorite series, Press Start[1], chronicling the video game adventures of Super Rabbit Boy, who he dressed as on “bring your favorite book character to school” day.

All of that to say, these are popular in the household. Also legit good; thanks to whoever recommended Django Wexler as an author. I should read one of his adult books sometime!

In The Palace of Glass, our heroine Alice makes plans to support her reactions to the information she gained in book two. …okay, yes, I’m trying to avoid spoilers, but that’s too damn vague. Let me try again.

As I was saying, Alice makes plans to take her revenge on the party or parties that were revealed in the second book as responsible for the death[2] of her father, back at the beginning of book one. But along the way to executing those plans, she gains an inkling of the cost that may accrue if she does. And, as it happens, the inkling she gains is not a fraction of the true cost that might exist. It’s a middle grade book, so I’m not surprised Wexler didn’t dig out the old chestnut about digging two graves, but if he had, he could quickly have turned it around to “or a thousand, and that’s only if you’re lucky.”

The only real kidbook sin the series commits is making Alice maybe a little overpowered. But honestly, I think he does a decent job of earning it? That said, what she’s been relying on so far shouldn’t help nearly as much in the final book. I look forward to learning how things land. Only, not for a few weeks yet. Maybe a couple months?

[1] Too short/young to bother reviewing, but they’re decent. Graphic novels, basically, which in addition to telling game stories have underlying lessons about sharing, family harmony, perseverance, that kind of thing. Good way to push life lessons, if you ask me. There’s a TV series on Peacock, which I should investigate sometime.
[2] Apparent death? Call me a softie, but I’m still not convinced that’s truly what happened. It remains to be seen!

The Mad Apprentice

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Learning that you can just search for stock at Half Price Books on the internet takes away pretty much all of the fun treasure hunting aspect of shopping at the bookstore, but at times like these when you don’t really want to just wait and see how long it will take to find a book and in the meantime your kid just completely forgets what happened last time, there is definitely something to be said for the gains in efficiency.

Which is to say, I’ve read the second book in Django Wexler’s Forbidden Library series, The Mad Apprentice. And yes, okay, it’s a middle grade book about an orphan who discovers she is heir to a magical world but also maybe there’s a guy she wants to kiss even if the physical act of kissing has not crossed her mind as a literal fact yet, even after two full books. But also, I really kind of love the concept.

  1. All books have some capacity for magic, even if it’s just one perfect turn of phrase
  2. Some books are a lot more magical than that, and open portals between locations on earth or to distant real or imagined worlds
  3. Some books imprison creatures, and defeating the creatures within the book (or getting them to agree to serve you) gives you their powers, in a variety of possible ways
  4. The people who have this power, Readers, are kind of the bad guys if you think about it much at all

Alice, the orphan I mentioned, has learned quite a bit about how to be a Reader, so now she’s ready to be thrust into their world due to an unexpected violent circumstance: the death of one of the Master Readers[1], and at the hands of his apprentice no less. Apparently, the other apprentices, in these circumstances[2], gather together and capture the offending apprentice and either deal with him themselves, or else bring him back for the justice of their masters. Which is how Alice finds herself in a group of four other apprentices as well as her friend(?) Isaac, hunting through a labyrinth that is slowly losing its magical power to a) perform whatever justice they decide but also to b) make sure none of the other apprentices loot any powerful book artifacts along the way. Because being able to trust the other people in your posse is way too much to ask, of course.

But also, shouldn’t the labyrinth be a lot more bereft of power and a lot less dangerous than this, without anyone to maintain it?

See what I mean? Good stuff.

[1] She is an apprentice, and the apprentices call them the Old Readers, since among other things they’re basically immortal, and it makes you wonder why have an apprentice system if you don’t really intend to pass on your power at some point, but why ruin a great premise by poking perfect logic at it? But my point was, I think Master Reader fits better.
[2] The fact that it happens often enough for there to be an accepted process is another reason to wonder why have an apprentice at all, but I said I wasn’t doing that.

The Mars Arena

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I think the hardest part about seeing Laurence James fall off of the Deathlands series is that the books are no longer reliably sci-fi genred. In The Mars Arena, for example, the book starts days after they last teleported from / to anywhere[1], on the run from a local gang who vastly outnumbers them, and ends with no redoubts or mat trans units anywhere in sight.

After a subplot with a scientific community in Montana come to see a falling satellite goes nowhere[2], our intrepid heroes are kidnapped into a Hunger Games style tournament in Las Vegas, as proxies for a bunch of west coast barons[3] who are in competition to see who’s in charge for the next year. As, unexpectedly, is someone near and dear yet recently absent from their group. Not, of course, on the same team though. That’d be way too easy.

The thing is, the propulsive plotting, side characters, constant air of betrayal, scary mutant monsters? All of that is still present, and still works well. But these new authors have lost a lot of the thread of the characters, such that they’re sort of becoming one note caricatures[4]. I still don’t have the data to really know much, but I’m guessing different authors have a better grasp on some of the threads than others? For sure, nobody has the whole picture except the original guy, and he died 26 years ago. Well, or maybe me. But I’m not sure what I can do about it at this remove, you know?

[1] Like, I don’t even remember how the last one ended. Were they likely to teleport anytime soon? The tightly connected narrative between each book is the thing I miss third most, though I suppose this is directly related to how a lot of different people are writing these in a random order instead of one person all in a row. Obviously you could make sure of the continuity, but who wants to waste their time on a low rent men’s adventure series? (Clearly not the people at Gold Eagle who had no idea what makes this series great.)
[2] Yet? I wish I had faith on that point.
[3] Perhaps a precursor to how things are in the Outlanders series? As I said, I’ll be watching for these little connections.
[4] The characterizations of the main people[5] being consistent is what I miss second-most about the series. Well, that and the underlying feminist egalitarianism among the group. That part is gone less often than consistent characterization, but I think in a very real way the failure points are coming from the same place. Wrong character actions are how you lose that kind of thing.
[5] So far, still JB Dix and Doc are hardest hit. Jak was always sort of one note in the first place, at least before and after his family stuff happened, Mildred has done okay for whatever reason, and Ryan and Kristy as the two mainest characters have of course been treated best by the continuity fairies. But still not always perfect.

City of Dragons

I’ll start off by saying for the record that there will be spoilers for earlier books in here. Couldn’t be helped. So if you’re just here to know whether I like Robin Hobb’s third Rain Wilds book so you can decide via my oh so timely intervention whether you ought to read it for yourself, the answer is I do.

As of Dragon Haven, all of the stunted, deformed dragons were successfully relocated. Also, the nice bird keepers really like each other, the musical elderling is having a rough time, the regular dragons remain completely self-absorbed, and that one guy from Bingtown who is a total dick is still a total dick. Thusly opens the second half of the series.

City of Dragons is about two things, more or less. The first thing it is about is exploring Kelsingra. Why do the dragons ancestrally remember this city so fondly? Does the fact that Fitz came here once have any bearing on the plot? Too bad none of them can fly and get here, due to the implausible geography of a vastly wide river that is also constantly in flood, innit? (It’s to a lesser extent also about Thymara’s continued inability to come to grips with her sexuality. She’s still less annoying than Katniss, to be clear.)

The second thing it’s about is the plot’s slow but inexorable progression towards… comeuppance? consequence? confluence? simple climax? Honestly, given the characters involved, I think all of these things apply. In short and with no important specifics, there are a lot of characters heading to Kelsingra. Tarman the liveship barge with supplies, for example, or Hest the trader’s son with perceived privilege.[1] And I think that of the many characters headed in that direction, very few of them have the slightest idea what they’re sailing into. And I think it’s going to be pretty explosive. (Mostly figuratively.)

Of course, this kind of thing can be problematic, cf some of The Wheel of Time. So knowing the next book is the last one helps a lot towards not being extremely disappointed by a book that is more than half “moving pieces around the board”, as does my confidence that this is again the first half of a long book instead of actually two books, even if (happily!) the ending is a lot less abrupt than the first time it happened.

[1] For reasons that make no sense if you have somehow read the previous books but not this one, his scenes were among my favorites.

Roll for Initiative

Third[1] entry in the ongoing annual series of books what I read to my son over several weeks: Roll for Initiative. It’s a big standard coming of age story in which the girl who has never in her life done anything for herself has to come to grips with the idea of doing everything for herself, and just maybe solving everyone else’s problems around her at the same time, all as part of the middle school growth and maturity experience. I doubt there’s a former middle schooler reading this who hasn’t had exactly the same lived experience as Riley.

The twist is, this book is told through the lens of her wanting to play Dungeons and Dragons and not having anyone to play with now that her brother has gone off to college. Until she meets some girls on the bus that she never had to ride before now, and they form a little group, and before you know it, poof, everyone’s life is fixed. Even the people who we didn’t know had anything they needed fixed at the beginning of the book.

Thanks D&D!

No but seriously, I wanted to read him a book where the characters liked role-playing games, since he himself is currently in a kid RPG. He liked it, and I did not hate it, and that’s mostly what I’m looking for out of stories to read at bedtime, so, hooray.

[1] I read another, longer, book to him right before this, and have a niggling feeling I did not review it. This seems problematic. …no, wait, it was the library one and I totally did. Whew. …messes up the count a bit, though, doesn’t it?

Wake Me after the Apocalypse

Some books have hooks that just get me, or maybe Amazon is good at advertising. Whatever. Anyway, this book‘s hook is that Joanna the protagonist wakes up from cryosleep after 200 years only to find that there’s been a cave-in, and she alone has survived out of her group of a thousand people. The backstory, doled out in alternating chapters, is that a comet was about to hit the earth, but with enough warning that lots of bunkers of 1,000 people each were set up throughout America to allow humanity to survive the darkness and the desolation, via centuries of sleep thanks to recently successful cryonics technology.

I mean, Joanna’s personal backstory is also doled out through those alternating chapters, but that’s the gist of it. Cryosleep to avoid disaster, wake up to completely different disaster. So… obviously she’s going to meet other survivors. For one thing, there’s no reason to believe all the bunkers were destroyed just because hers was. But, insofar as this is the first book in a series, I was looking for less exposition and relationships and stuff, more raw survival and maybe mystery solving.[1]

What I got was… about half a book of those alternating backstory chapters, enough to get me well and truly tired of them. Then, just as the book I was looking for got started, the back 40% of it was instead chock full of people again, already. Ugh. It’s not that the story Rivet wrote was bad, it just was not at all what I wanted. Put a different way [that overstates the case of what this book actually is], I’d like to read these YA books and have them be less about Team Jacob versus Team Edward and more about Team Bella.

Anyway, if the second book is available at the Kindle lending library, I’ll borrow it eventually as I did this one. If it is not, I’m pretty sure I will neither buy nor download it. So… yeah.

[1] After all, just because the scientists believed it would be an extinction level event doesn’t mean it definitely would be. 99.999% death rate, we’d still bounce back[2].
[2] …well, maybe not bounce.

The Forbidden Library

I randomly found a Django Wexler book in the kid section of the library, which was a bit of a surprise. Turns out he wrote a YA series ten years ago, and since my son has a heck of an attention span for books, I took a chance. At usually a chapter a night, it took close to a month including one auto-renewal, but then again how fast do I read to myself?[1]

Important ingredients for a young adult fantasy series are a) an orphan b) who was orphaned deliberately by an external force who will later drive the plot, and also c) the orphan later discovers an unanticipated talent for a magical world that they previously had no awareness of. Also, if you’re a girl orphan, probably d) you’ll meet someone your age in similar but not necessarily identical circumstances, who you most likely cannot trust, and yet you really want to. I’d say I’m not sure why this is less common with boy orphans, but the truth is, I’m pretty sure of why.

Alice Creighton is an intelligent 12 year old girl living her best life (good at school, science, math, all of that) in Manhattan (I think) with her father at the height of the Great Depression (which does not really affect anyone in the story, they’re all rich here especially by the standards of the day), up until she learns fairies are real. A week later, her father is lost at sea and his estates are sold off to pay his debts, and she is the ward of her uncle Geryon, a man she had not previously known existed but who seems to be doing even better financially than her father had been (debts notwithstanding), what with his massive estate outside, I don’t know, Philadelphia maybe?[2]

There’s only one rule: don’t go into Geryon’s personal library at the edge of the forest without permission. But when you’re surrounded by vague maids who do only what they’re told and literal-mindedly at that, and then just kind of wind down waiting for their next instruction, and with talking cats and evil wasp fairies and distant uncles who have no real interest in you, and above all when you are the protagonist of a YA novel who has been given one rule to follow, plus also you like to read?

Well, I think we all know where this is going. (In case you do not: it’s going into The Forbidden Library.)

[1] It’s the comics, is what it is. Well, and the parenting. The storytimes, just for example, most of which are regarding books that are unreviewable, such as Geronimo Stilton and Dragon Masters. And the Three Investigators, which I should have continued to review, but failed. (I’m not sure what happened there.)
[2] If you’re wondering why I don’t know where anything happened, it’s because the cities are mentioned like once each at the beginning of the book and then never matter again. If everything happens at your massive country estate, who cares what state it’s in? Or nation, honestly.

Fairest Vol. 3: The Return of the Maharaja

I don’t even know the last time I read a Fables-adjacent book, nor what it was[1]. And I’m not even sure how many books are left. I think not many? I should probably zerg rush the ending, but that would make it still months away. Just not years.

In any event, this book was way way off in the periphery of the series. The land of Indus (think The Jungle Book) is no longer threatened by that one woodcutter’s evil empire, since it doesn’t really exist anymore. But all the villages and palaces and suchlike have been basically emptied of able-bodied men who went off to lose the war, leaving only the elderly, the infirm, the very young, the harems[2], and of course the [other] women.

Which brings us to the main character, Nalayani, protector of her village from roving packs of dhole, which are wolf-adjacent animals from the Indian subcontinent. (I had heard of them before, but not with any commonality.) Anyway, she must now quest to the new maharaja I mentioned to ask for help with the problem, only to find herself embroiled in a civil war and with a pretty unlikely ally, at least if you remember previous events in the series, which I must admit I did not very well.

I have no idea if I should know who Nalayani is as a fabled character? I definitely do not, which did not negatively impact my enjoyment of the story, and anyway there were other characters I did recognize. If the series wasn’t nearly over, I’d think big things were afoot in the main sequence as a result of this one. As it is… maybe this was a happy ending?

[1] I mean, now that I’ve searched it and linked it, I maybe know. But I did not before.
[2] If you happen to live in the maharaja’s palace, at least, and this I suppose explains the presence of the new maharaja, Shah Ah Ming.