{"id":9094,"date":"2024-02-03T12:02:28","date_gmt":"2024-02-03T18:02:28","guid":{"rendered":"https:\/\/www.delirium.org\/?p=9094"},"modified":"2024-02-03T12:02:28","modified_gmt":"2024-02-03T18:02:28","slug":"x-2022","status":"publish","type":"post","link":"https:\/\/delirium.org\/?p=9094","title":{"rendered":"X (2022)"},"content":{"rendered":"

\"\"<\/a>Friday night double feature! Even better, unexpected double feature, but I’ll get to that.<\/p>\n

The first movie was lent to me by Ryan a number of months ago[1], but the time was finally right, so, hooray. Here, I was about to launch into a brief plot synopsis, but the problem with those is if I start with the title, I will inevitably say “Title is the sensitive story of” and it feels less like an homage and more like a ripoff, even though its not my fault I’ve read and heard so many of Joe Bob’s reviews that the phrasing is just lodged in my brain. In any event, I’ll start over.<\/p>\n

After a scene designed in every way to evoke The Texas Chainsaw Massacre<\/em>, we fade in on a strip club owner and two of his employees, hopping in a van[2] with a few other folks on their way out of Houston to the rural remote wilds of southeast Texas (or arguably New Zealand) to shoot the first direct-to-video but also high-minded and artistic pornographic feature, set on a farm owned by an aging, nay decrepit, couple named Howard and Pearl. The house[3] and barn reflect the owners’ decay, but the rented cabin a few hundred yards away is actually kind of nice, I think by virtue of not having been occupied over the past who knows how many decades.<\/p>\n

The remainder of the film would be the shooting schedule of The Farmer’s Daughters<\/em>, complete with the sexual liberation of Jenna Ortega and lessons on film editing and assorted X<\/a>-rated shenanigans, except for the air of disquiet that hangs over the remote farm. I think it’s fair to say that if our merry band of videographers aren’t careful, they may find themselves on a collision course with that opening scene I mentioned, set 24 hours after they got into the van.<\/p>\n

So aside from how on the nose (but in a good way) I found the setup and payoff to be, I was sincerely impressed by a lot of the acting and cinematography choices[4]. Some of the cuts were very disquieting, and this may be the first time I’ve experienced a successful jump scare that was set after the victim’s death<\/em>.<\/p>\n

But honestly, the single most unsettling aspect of the film was a casting choice that is frankly a spoiler for this movie’s mood, if not per se its plot. However! I think I can talk about it in the next review. Like I said: double feature.<\/p>\n

[1] long enough that it’s since on Netflix and I did not technically need the lend, so, um, oops
\n[2] All van scenes also shot with Chainsaw<\/em> in mind.
\n[3] Also, the layout of the house’s entryway? Immediate Chainsaw<\/em> flashbacks.
\n[4] and also the soundtrack was baller<\/p>\n","protected":false},"excerpt":{"rendered":"

Friday night double feature! Even better, unexpected double feature, but I’ll get to that. The first movie was lent to me by Ryan a number of months ago[1], but the time was finally right, so, hooray. Here, I was about to launch into a brief plot synopsis, but the problem with those is if I […]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3],"tags":[30,1327],"class_list":["post-9094","post","type-post","status-publish","format-standard","hentry","category-film","tag-horror","tag-plex"],"_links":{"self":[{"href":"https:\/\/delirium.org\/index.php?rest_route=\/wp\/v2\/posts\/9094","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/delirium.org\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/delirium.org\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/delirium.org\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/delirium.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=9094"}],"version-history":[{"count":4,"href":"https:\/\/delirium.org\/index.php?rest_route=\/wp\/v2\/posts\/9094\/revisions"}],"predecessor-version":[{"id":9099,"href":"https:\/\/delirium.org\/index.php?rest_route=\/wp\/v2\/posts\/9094\/revisions\/9099"}],"wp:attachment":[{"href":"https:\/\/delirium.org\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=9094"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/delirium.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=9094"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/delirium.org\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=9094"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}