Tag Archives: animated

Wish (2023)

Last time the kids picked Wish as the family night movie, I was tired and fell asleep for most of it, or maybe I was working? Whatever happened, I missed the majority of the movie. But this time when they picked it, I had nothing else going on. So now I’ve seen a somewhat recent Disney movie. Unlike Friday, when I will probably see an extremely current[1] Disney movie. (Don’t tell the kids, they don’t know yet. They may not even know I took the day off work.)

Anyway, none of that is about sorcery and making wishes and if I’m being honest, pretty mediocre songs for the most part. See, this is the problem with Disney in a nutshell. In the dawn of time when most of Hollywood had extraneous musical interludes anyway, it could be forgiven. And then when it had become habit, well, I guess. But then for a while in the ’90s with Mencken and Rice, the songs were legit good. Then I’m not sure what happened, I was away for a while. I hear Phil Collins was involved? Anyway, then in the ’10s, about half the songs in Frozen were bangers, and right after that they found Lin-Manuel Miranda. So expectations are at an all time high!

And, as I’ve said, extremely not met.

Anyway, there’s this sorcerer, right? And he figures out how to extract a person’s fondest, most heartfelt wish. He uses this knowledge to set up an island commune where people come because their wishes are unattainable, and so they come and give him their wish, and he keeps it safe, whatever that means. But also, once a month, he grants one of the wishes. That’s the setting. The plot is that the main character girl has a job interview to be his apprentice, and what she learns during the interview makes her unhappy[2], so she sings a (decent) song about wishing that the way wishes worked was better than the way they actually work here. At the end of which, she has found perhaps a better way.

Then, most of the rest of the songs are pretty terrible, excepting only the main bad guy[3] song about being underappreciated, but also the plot is a little overstretched? But then when they got to the climax, that song is pretty solid and brings most of the rest of the movie back on track. It turns out the movie was about how you should follow your dreams even if they are difficult, instead of handing them over to someone else and just hoping something randomly works out for you, and ps it probably won’t. At least if it didn’t work out for you on your own effort, you still burned with its fire your whole life instead of being an empty shell.

And that’s a pretty good message for a kid movie, really. Not even a terrible message for an adult movie, all things considered. But I’d still rather just watch Encanto[4] for the 18th time.

[1] Heh. “Current”
[2] Spoilers: she learns (or maybe we learn this during the infodump scene, it would make more sense that way I guess) that when you give up your fondest wish, you also forget it, it’s just gone out of you entirely. And then, bigger spoilers, she learns that the sorcerer picks and chooses which wishes gets granted, and never grants the ones that are potentially dangerous to the island, by which he means dangerous to his control over the island. Like how an old man’s wish to be inspirational to the next generation is too vague, and might result in some kind of revolutionary uprising. (Specific boring wishes, like wanting to be the best hairdresser, those are okay.)
[3] Awesomely, his name is Magnifico
[4] I sort of understand why I don’t have a review of Frozen. No review for Encanto is simply inexcusable, though. Whoops.

Kanashimi no Beradonna

I’m again a long time between episodes of my nominally weekly horror podcast, partly due to difficulty finding a copy of the current movie that I could watch, but I think mostly due to being sick for the greater part of a month and falling behind on podcasts in general. I know one of the categories was revenge, but I don’t remember if that was the style or the monster, and I cannot remember what the other category was at all. (One supposes if I could, I’d also know which was which.) But I think revenge must be the monster die. Style could be a lot of things, but this is a 1973 anime named Belladonna of Sadness, so one supposes the style was Asian, or animated films, or not very plausibly 1970s. Just because of the glut of revenge movies from that decade, I mean.

Of course, I could be wrong about any of these facts, aside from what the movie was I mean. I’d check, but I’ve written way too much for that to make sense at this point.

There was a movie, I was saying. If I’m being real, I have no way to usefully talk about this movie without massive spoilers. Here’s what I can say before I reach that line: Belladonna of Sadness is a wildly stylized and yet minimally animated[1] movie about a medieval European, probably French, village in which a very much in love couple gets married, like you do, but then nothing whatsoever goes well for them for the remainder of the flick.

Okay, I’m not going to explain the plot point by point, because for one thing I don’t think I could anyway, but either way, definitely spoilers from here on in. Cut below the footnote.

[1] In the sense that there isn’t a lot of animation. There’s a lot of art, which the camera pans across, and sometimes small pieces of the art move in small ways. And sometimes it goes crazy. But mostly: very minimalist, from an animated perspective.

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Seoulyeok

According to the write-up, Seoul Station is a prequel to Train to Busan, which would actually have to be more of a sidequel since the first twenty minutes of the latter movie take place during the same day / overnight that all of the former movie occurs during. The zombies are the same style (controlling for live action vs animation at least), and I have no reason to disbelieve them, it just… doesn’t make sense as a prequel instead of its own standalone movie. Partly because they have nothing to do with each other save look at how many more views we’ll get with brand recognition, but mostly because the logistics fall apart. If the Seoul movie had happened as it did, people would have known by early AM not to be getting on trains to Busan.

Whatever, it’s the same writer and director, I guess I have to take his word for it.

Leaving all that aside, though, this is a dark, brutal, and above all angry movie that would definitely fit in any US metropolis as well as it fits in Seoul. See, the zombies are real and all, but they’re also a metaphor for the homeless problem. I say that in the sense that at every opportunity, the citizenry at large and especially anyone in a position of authority continuously portrays the crazy people who are running around biting folks as the homeless gone wild, to the extent that anyone who is still alive but also homeless is considered just as dangerous as the actual zombies are, and always to their detriment.

(There is an actual plot to this movie that I have not even slightly addressed, if the above sounds like spoilers. I mean, it probably still does, but you should know.)

I wonder if anyone in the target audience, such as people who can afford TVs or movie theater excursions, listened to the angry undercurrents. US audiences wouldn’t have, so I can’t really have a lot of faith that it was different somewhere else. But maybe!