Tag Archives: Star Wars

Star Wars: Outlaws

Star Wars: Outlaws is basically like if you took the serious parts of modern Grand Theft Auto games, and instead of ratcheting them up to 15[1], you replace the main character with someone likeable, who doesn’t just go around murdering anyone who gets in the way, and also the setting is, you know, familiar.

It’s like this. You are Kay Vess, a mostly orphaned thief and slicer who lives in Canto Bight[2] along with her pet… whatever he is, Nix, during the years around the height of the civil war between the Empire and the growing Rebel Alliance. After a medium-sized tutorial section in which you learn how to bet on fixed horse races, pick pockets, and climb around, you are asked to join a heist of the vault of a rich local crimelord. Only, things go sideways, and before you know it, you’re on the run, trying to clear a pretty astonishing bounty from your head, and learning how to freelance in a world galaxy full of criminal syndicates, not to mention the Empire and those pesky rebels.

I did not find everything, despite my best efforts. That said, I think I could pretty easily find everything? With a walkthrough, I mean. Because the stuff I’m missing is clearly identified. It wouldn’t be like finding all the damn koroks, for instance. But there’s really a lot to do. In addition to the main quest and various side quests, both to work with syndicates and to find people who will train you to unlock special powers, there’s lots of driving around on speeders, lots of flying around in space, lots of sneaking around in armed fortresses, lots of shootouts with bad guys, lots of Kay refusing to do anything unless there’s a paycheck in it for her, and even the most adorable mini games you’ve ever seen in which Kay and Nix eat dinner at various street cafes on various worlds.

I cannot imagine anyone ever having enjoyed an open world sandbox game about crime and not enjoying this open world sandbox game about crime, is I guess my bottom line.

Well. Unless you play open world sandbox games about crime because you really deeply identify with criminals in your actual life and wish more games would let you shoot prostitutes to retrieve your money that you spent on them a few minutes ago, I guess. I am sadly certain that demographic exists.

But if you’re anyone else, see above. And I haven’t even mentioned the part where this is maybe the best treatment of how droids exist in a galaxy far far away. Definitely top three.

[1] on a scale of 10, natch. (Here I am describing Saints Row)
[2] which you will not recognize as the casino city from The Last Jedi

The Mandalorian and Grogu

My father is somehow turning 80 in a few days, and he wanted to see Martin Scorsese’s latest movie on opening weekend, which solved my problem of having no idea how I’d manage such a feat. I mean, not even “on opening weekend”, just at all during the theatrical run. So we headed from his place to Weatherford, well known cinema mecca of the DFW metropolitan area, and saw The Mandalorian and Grogu.

If you have not been sleeping under a rock since before Covid, you’ll be aware of the biggest Star Wars TV show, starring Pedro Pascal and Baby Yoda as a Mandalorian bounty hunter and a 50 year old Jedi youngling on the run from the Empire, among other varied adventures, in the years after the fall of the Emperor. This movie is that, but as a movie. Since I like the show, I will not say I wish I was joking, but… yeah, seriously, this felt like 4 episodes of a TV show rejiggered to be a movie instead. And I honestly hope it worked for them, because Star Wars should be movies, in virtually all[1] cases.

I cannot imagine really anyone in the world who would be swayed on whether to see this based on plot specifics, but in case you care: The Mandalorian and his bounty hunting apprentice are hunting bounties for the New Republic, and the most elusive bounty in their card deck of Imperial baddies is known to the Hutts. Unsurprisingly, the Hutts are happy to trade on this information, in exchange for a favor. The Outer Rim, amirite?

Weirdly, I think there were a couple of Star Wars: Outlaws easter eggs? So if you like that and you liked The Mandalorian, I have great news! …which I already told you, to be clear.

[1] Exceptions: animated or Andor

Star Wars: Episode IX – The Rise of Skywalker

This will be a long one. It will definitely contain a bunch of spoilers, but not for a while and not without notice. Also below a cut, but that’s only so useful unless you’re on the front page of my site, and nobody but me ever is.

Anyway, as you may be aware, there was a final Star War that released about a week ago. I’ve seen it twice, not on purpose. After we already had the Friday morning tickets, a Saturday evening show was demanded, so I had both showings scheduled before I had seen it once. Luckily, and apparently unpopularly, I liked it well enough to not be unhappy about a twice.

The key to not hating the movie is not looking for a sequel to The Last Jedi. I know that sounds nonsensical, but it isn’t. The thing is, these are trilogies. Return of the Jedi (which I can annoyingly no longer shorthand as Jedi) was a sequel to Empire (which I can still shorthand as I please) only in that Empire ended on a cliffhanger about the fate of Han Solo. Really, it was a sequel to the entire trilogy. More, Revenge of the Sith was a sequel to that entire trilogy, not to the second movie. More still, Return of the Jedi was retroactively a conclusion to the entire series to date, all six movies. Likewise, The Rise of Skywalker (however dumb of a name it is, second only I think to Attack of the Clones on the bad title scale) is a conclusion to the entire nine movie sequence. It’s also a conclusion, more or less, to the third trilogy, but that’s definitely secondary. My point here is that it’s fulfilling a different purpose than people seem to want it to have fulfilled; it’s tying everything that has gone before together. And I really think it does this well, on the whole.

And okay, I think that’s as far as I can go without lots and lots of spoilers.

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Crucible

Crucible is the last book in the collapsed timeline that is Star Wars Legends. Chronologically, I mean. More have been written for earlier periods, and there are comics set like a hundred years later. But as far as actual books, it’s the one furthest out from Endor.

I have to wonder if they knew it was the last one, if not when it was being written, then by the time it was nearly finished / in early publication. There are definitely ways in which it feels like a coda on the series. Which could easily have been meant as a transition to what comes next, but I have a hard time believing that that particular book farm would have been willing to plow under the fields of these particular characters. (I’m trying to be vague because of spoilers, which seems silly for a number of reasons.)

Anyway, there’s this unchartable nebula or asteroid field or whatever[1] in which Lando has some mining interests, and there have been problems with pirates, so Han and Leia are visiting to be helpful, but once they arrive it turns out there’s a galactic scale financial scheme to unravel, not to mention some weird Force stuff going on, tied into (I swear I’m not making this up) some kind of Quest that the Jedi have been on since… well, I don’t know when? It feels like I would remember something as Grail sounding as this was, but I entirely do not. But I capitalized quest because Luke and the council had sent out ten Quest Knights to find whatever it is they were trying to find. So I guess it’s a big deal? Something to do with Abeloth and the big Sith war from the previous nine book series? Whatever.

None of that foreshadowing of future events is particularly important, because of how the series is now over. I just found it interesting in a slightly disbelieving kind of way. ANYWAY.

The sad thing is: I didn’t really care for the book. The plot was fine, although the bad guys were painted a little too dire to be handled in a single book (as opposed to a trilogy, minimum). But Luke and Leia were way too confrontational and even at times bloodthirsty, and nevermind everyone’s cavalier attitudes toward droids as sentient beings. It felt off, in a way that these have usually not done for me. Some of that may be thanks to Zeynep and Will of Force Visions (see delirium’s front page sidebar, if I have remembered to / remembered how to update my links, which I think I have), but I like to think it would have smelled wrong even if they had not started their incredibly in depth Legends project.

[1] I know this sounds like I’m being lazy, but it’s not me.

Solo: A Star Wars Story

I came into Solo with pretty low hopes. I was afraid the actor would fail and the movie with it, and… okay, no, that’s the only thing I was afraid of. The plot looked fine from previews, and Donald Glover is a national treasure, so yeah.

But, good news! The guy playing Solo was basically fine. Maybe a little too happy smiles instead of smug smiles, but I’m perfectly okay with saying that’s because the character is years younger. He played fine off Chewbacca and Lando alike. (And the other characters that were new to his backstory, but I wasn’t measuring that against pre-existing opinions.)

Other than that? Fun Star Warsy action movie, with heists and counterheists, chases and escapes, criminal syndicates… you know, the kinds of things you’d expect out of Han Solo’s backstory. If I’m being honest, they found almost no way to surprise me; I knew a lot of this story before now anyway even if it has become canon via the screening and wasn’t before. But whatever. Like I said, it was Star Warsy and fun, and I’ve been happy watching those while knowing how the story would turn out for close to forty years.

There was one thing that made me cringe, but I’m pretty sure I can just forget about it.

Aftermath: Empire’s End

If you are looking for a book that explains why there’s wreckage all over Jakku in The Force Awakens, then Empire’s End is the book for you! If, however, you are looking for information on where Leader Snoke and the First Order came from, well, you’ll hear somewhere between one to five percent of that story, tops. (Which to be fair, at least until the trilogy of movies is over, you had to know that nobody would be allowed too close to direct backstory, in case the writers wanted to do it on film instead. I mean, you had to know that, right?)

On the bright side, I’m still very much enamored of the characters in this trilogy, and it’s nice to see someone telling a full-sized story in the Star Wars universe where Skywalkers are relegated to a side role at best. (There have been other such stories prior to 2015, but really not very many.)

Just in case there’s confusion, I should note that the book does a lot more than explain Jakku wreckage. But it’s the third book of a trilogy, so why go crazy with spoilers? It continues to do well what the other books also did well: present a living, breathing galaxy reacting to Palpatine’s demise and the birth of a new Republic, while telling a personal story about several people on both sides of the lingering conflict. In other words, if you care about Star Wars, this has star warsy stuff worth caring about.

Aftermath: Life Debt

Life Debt is the second in a trilogy of books that falls between Return of the Jedi and The Force Awakens in the new Star Wars continuity. I have more of a feeling than I originally had that I will learn very little about how we got from there to here, after having read this book. That’s disappointing, but not enough to take away from my enjoyment of the book for itself.

The cool team of rebels (or whatever you call them instead when the Empire is kind of defeated although not entirely but for sure there’s a replacement or at least alternative government in place) from Aftermath is back, to do Princess Leia a favor. See, the new Republic government is focused on fighting the Empire over systems with tactical or political value as they gradually try to put out the flames, instead of on who is suffering; and one Han Solo owes a Wookiee of his acquaintance a free Wookiee home world.

Only now they’re out of contact, and Leia asked those people I mentioned from the last book to go find him. And thus, a plot! Also, there’s some seemingly (but I’m afraid ultimately not) relevant byplay among the Imperial remnants, trying to figure out who will come out on top and how they will crush the new Republic, you know, like you’d expect them to want to do. Wake me up when one if them is named Snoke and I’ll care more about where that part of the plot is going.

But the laser battles and ship battles and infiltration plans and whatnot? Definitely still Star Wars, and that’s fine by me.

Star Wars: The Last Jedi

I’ve seen The Last Jedi twice now. There’s been a lot of hoopla, you know?[1] People complaining about things that are debatable matters of taste[2], people complaining about the politics of the movie that are not really debatable[3]: to the extent that they are not simply injecting their own politics instead by complaining, their politics are wrong and the movie’s are right, so that’s how I feel about that.

But all of that is stuff I can’t go into, because I presume that people care about spoilers, not only now even though it’s nearly two weeks past release, but even for posterity. I will say that I liked it quite a lot, have virtually no complaints[4], and have a lot of praise. Was it the best Star Wars movie? Man, how can I even judge something like that after watching it twice, when the first three are so fundamentally entwined into my childhood. But seriously, it might be[5]. It was absolutely the most emotional, emotion-driven of the films, and I do not say that due to foreknowledge of Carrie Fisher’s recent death. Although that knowledge certainly adds an extra gut punch beyond what the movie had already accomplished.

I guess I’m saying these things: 1) if you’ve ever gone to see a star war, and you somehow haven’t gone to see this one yet, you really ought to. 2) It rewards multiple viewings.

[1] Spoiler footnotes below the cut

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X-Wing: Mercy Kill

This is I think the next to last volume in the Star Wars Extended Universe series of books, by chronology. It is also, to my knowledge, the last book written by its author before he died unexpectedly a couple of years post-publication, certainly during the timespan when the EU was being gracelessly removed from Star Wars canon. There’s probably some kind of metaphor there.

Mercy Kill is about three things. Superficially, it’s about tying up loose political ends from the Fate of the Jedi series. Externally, it’s about a “wouldn’t it be cool if?” moment, the cool thing in this case being to bring back Wraith Squadron, the special ops branch of the New Republic’s navy. Being spec ops, they never used X-Wings as much as the rest of the navy did, but they were developed in the X-Wing series, and so here we are. (Also, it hasn’t been called the New Republic for a long time, but that doesn’t matter to you I’m sure, and being spec ops spy types, it doesn’t much matter to them either.)

Third and I’m sure most importantly, it’s about the horrors of war, the beauties of friendship, and the ways we cope with these things and the loss of them, and the long road of recovery. …okay, that’s a little bit overdone, but it’s not not about those things, and seeing as the series is all but ended, I’m feeling a little maudlin, okay? Oh, and fourth, like all the X-Wing books, it’s more than a little funny in the way that all good caper stories are. I guess I didn’t say, and wouldn’t have said before since I read the rest of the X-Wing / Wraith Squadron books years before there was a site to review them, but these are wisecracking, safecracking special ops people with hearts of gold, not grim dour special ops people who never leave a man behind. So the book is fun, which you would probably intuit from the Star Wars title, but might not from the mention of a special ops force as the stars.

Also, Star Wars isn’t always fun anymore, is it?

Rogue One: A Star Wars Story

This is weird. First of all, yes, I saw Rogue One over the weekend. Of course I did! And I liked it. Yet, I have been avoiding this review like the dickens, and I don’t know exactly why. My best guess is, I liked it better than it probably deserves. The first act was scattered, and the second act was solid enough[1], but the third act was 100% predictable due to its inevitability. It’s hard to drum up much care about characters whose arcs you already know when you sit down in the theater, you know?

Nevertheless, I did care about them. I cared about all of the new characters[2] and I cared about watching the journey, and I didn’t mind the CGI faces very much, and basically everything that happened was good. Hell, even the music! Not composed by John Williams, and it still felt like a Star Wars score. Which is good, 2016 being the way it has been.

Anyway, that’s my point. It was part hot mess, part incapable of surprising plot twist, and could easily be accused of leveraging nostalgia for everything left that was any good. But screw it, it felt like a Star Wars movie, and a thing that feels like a Star Wars movie is going to be unavoidably good. Hell, it was better than The Phantom Menace or Attack of the Clones. Also: I feel like they earned the title, and I was not confident I would feel that way.

[1] albeit with a missed plot hole that you could drive a Star Destroyer through[3]
[2] except maybe the insane terrorist guy on Jehda? I gather that maybe he’s in the Rebels cartoon that I haven’t watched any of, and maybe it would be easier to care about him if I had? But I did not, at all.
[3] Plot hole in comments, due to spoilers.