Dune: Part Two

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Dune: Part One was honestly a pretty solid movie. It introduced a far-flung future that is implausibly focused on a medieval past, but it made up for that implausibility by the accompanying concepts being fun to imagine. And said future is chock full of interesting characters with wildly divergent motivations that are worth watching clash against one another. Shadowy prophecies, a macguffin that you can really understand why people care so deeply about it, betrayals, chases, escapes… I begin to consider that these movies should not be classified as science fiction. Well, whatever, unimportant.

Part Two, on the other hand, is a complete enigma of a film. It clocks in at nearly three hours, and two of those hours are Paul Atreides learning how to Fremen better than any Fremen has ever Fremened before, in fulfillment of messianic prophecy that was apparently set in motion by the Bene Gesserit, which makes it not entirely trustworthy[1], except for how it all keeps coming true nevertheless. And it’s not that these two hours are, moment over moment, bad. It’s that they somehow manage to simultaneously be boring in aggregate while still also managing to feel rushed. I don’t know if that means the five hour version of this movie would fix all the problems or heighten them to the point of absurdity, but it’s pretty definitely one or the other, and I’d like to at least know which, you know?

Then in the remaining hour we see the machinations behind the brutal climax of part one, leading into a brutal climax of part two, which… just straight up did not feel like the end of a story. I think I might have been better able to give long stretches of boring sand punctuated by worms and romance and guerrilla tactics followed by a climactic ending that perversely resolves nothing and arguably leaves things even worse than before, if I had known this was the middle third of a trilogy.

As it is… solid spectacle, lovely acting, total feh at the storytelling.

[1] I don’t mean in the “is it real?” sense, because I don’t know enough about the BG, and the movie does not reveal enough about them, to determine where their knowledge (if indeed they have any special knowledge in the first place) comes from. I mean it in the “is it a trap?” sense, because it would appear that anything they do benefits themselves before anyone else. Also the Kwisatz Haderach, which is probably meant to be something more than a creepy pair of words, but is not particularly elaborated upon in any deeper way in these two movies.

Dune (2021)

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A couple of years ago, I watched maybe half of the Dune remake, but it was at night and I fell asleep. And then I never got around to returning. Which, I mean, plenty of time to make up before part two came calling. Which brings me to last weekend, wherein I did in fact watch the movie for real and true. And you know what? Not bad!

See, there’s this noble family, we’ll call them the Starks. And they are asked by the Emperor of All Cosmos to take over production of spice[1] from a different noble family, who we’ll call the Lannisters. The Lannisters are super rich and also not fond of having their golden goose forcibly taken away, so they plan a trap. But that’s not important right now. What’s important is that Paul Stark is possibly the first male Aes Sedai since the end of the Second Age, as evidenced by the fact that he is having prophetic dreams about Mary Jane Aviendha and by the fact that when he sticks his hand inside a ter’angreal that causes pain, he doesn’t pull his hand out. (Although arguably he was coerced by the threat of murder into leaving it there.)

So anyway, Paul goes off to desert world, where… oh, hey, *Dune*! I get it. Nice one.

He goes there, I was saying, with the rest of his family, to start harvesting spice. And they learn about the giant sandworms who leave behind teeth that you can turn into crysknives if you have a scroll of enchant weapon, and they learn about the blue-eyed desert people who are not fans of the Lannisters, and right as it seems like they might be able to get the hang of this whole spice-harvesting gig even though all the equipment keeps breaking down and may have been sabotaged, that turns out not to matter, because Baron Lannister and his nephew Drax “Sting” Lannister launch a surprise attack and kill every single last Stark. Weirdly, nobody got married.

Wait, sorry, I’m being informed that Paul Stark and his mother Moiraine survived, and wandered off into the desert to hook up with Mary Jane and the rest of the desert people so they could lay low until it’s time for their counter-revenge in part two. Which we’ll probably watch tomorrow!

Although I have been glib in the above review, it is worth mentioning that a) the ornithopters are extremely cool, b) I very much want to know what happens next, even though I kind of do know, and c) the entire aesthetic of the first movie is A+. You can really tell the difference between what Lynch was able to accomplish in 1984 and what Villeneuve has been able to now, from a technological stance. From an adaptive stance, well, Lynch definitely adapted a book, while this guy is putting the book on screen.

I guess the important difference is that Lynch makes me giggle continuously, albeit in a good way, while Villeneuve makes me watch.

[1] Spice is what makes warp speed possible. (Also, it improves food I assume.)

Gojira · Ebira · Mosura: Nankai no daikettô

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Ebirah, Horror of the Deep, is… on the one hand, it’s a lot less weird than recent Godzilla movies I’ve watched, in that it’s not batshit crazy. But on the other hand, it’s actually weirder in some ways, because it’s heavily James Bond influenced I think? And also, this was probably the moment where Godzilla made the transition from anti-hero to good guy, which… I certainly see how it has affected all the future stories, making this clear delineation that he will never again be an existential threat. But I’m still not convinced in the contexts of these movies that it was a good idea, is all.

So get this. This dude’s brother is lost at sea, so he tries to enter a dance-a-thon to win a yacht, but since it’s already three days in, they won’t let him join. So instead, he and two other failed contestants and a third guy all steal a yacht together, semi-accidentally. Then they see a giant crab thing and shipwreck on an island, which is inhabited by a supervillain lair, except without a specific obvious supervillain. Instead, there’s a scientist (I think?) working on nukes, and an eyepatch guy who leads a group of henchmen with machine guns from place to place all over the island, just randomly firing at our heroes but always missing them. It is also inhabited by slaves from Infant Island (famously the home of Mothra) and by a comatose Godzilla, the latter of which is too coincidental for words, and yet here we are.

So anyway, these guys try to figure out how to escape, and how to free the Infants, and how to deal with the giant crab monster (who I believe is referred to exactly once by name?), and eventually there’s a lot of kaiju-fighting, to dance-a-thon music. Oh, and in case you were wondering, Mothra 2 finally grew up and is no longer a caterpillar.

Little Kitty, Big City

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I’ve been playing Jedi Survivor, but then I saw that the game I recommended for my wife looked a little more low key and fun for the week, and thusly I instead invested a few nights into Little Kitty, Big City. See, you’re this cat living a highrise life, when suddenly disaster strikes!, in the form of gravity. Now you’re on the ground, surrounded by people and dogs and birds and, by far worst of all, by puddles of water. How will you get home?!

Well, by completing quests[1], and collecting various bits and bobs, and avoiding all the beings who wish to do you, if not harm, at least a series of unpleasant wettings and/or barkings at and/or chasings away. And by knocking things over, let us not ever forget.

It’s basically Untitled Goose Game, but with more of a plot, and a lot more teleportation and reverse causality. At six or eight hours[2], it does not wear out its welcome, and if the graphics are a little below top of the line, and if the controls for some of the jumps can be a little janky, well, that’s how indie games go, y’know? Nothing that drove me away, although it’s fair to say a little less jank might have resulted in me chasing a few more achievements,

[1] Sample quests including jumping in all five boxes, or sleeping in all five A+ nap spots, or taking the ducklings home
[2] and then only if you’re trying pretty hard to do a lot of the things; I spent hours after I reached the point of “you can go finish now if you like” before I actually proceeded to try to finish.

Dragon Keeper

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It has been a minute since I read a Robin Hobb book in that one series with all the Elderlings. So I’m not sure if she is softening as she ages, or if I’m hardening as I age, or what. But the first volume of The Rain Wilds Chronicles was not what I expected.

Dragon Keeper returns us to the Bingtown and the Rain Wilds Traders, last seen surviving an invasion due to a timely alliance. Now, brief years later, they are chafing under the terms of that alliance, mainly because its principal member got a boyfriend and stopped hanging around. I’d say more about why that’s an added burden, but it would involve pretty big and unexpected spoilers, so I shan’t.

Our main characters are 1) an unexpectedly married scholar of dragons, 2) a not quite Liveship Trader who has engaged himself in a morally troubling endeavor, and 3) a Rain Wilds teen with no real future, until the option to become eponymous is thrust in front of her. Well, and there’s also a fourth main character who is not strictly human at all as such, although she is the subject of scholarly pursuits.

And here’s the thing I was talking about in the first place: it didn’t feel all that miserable to me? I mean, in the sense that the hallmark of these books to date is how unrelentingly dark they can get, with only occasional flashes of hope and/or success. Do all of the characters have pretty huge problems to overcome? Yes, for sure. But it’s weird that it kind of feels like they can, and maybe even will in some cases.

A couple more weird things, rattling around at the bottom of the barrel. One is, okay, yeah this is a four book series instead of a three book series. Even still, it felt like this was 85% setup, and then 15%… not payoff like you’d expect, but rather 15% the start of the next book, because she was told she could not just have a book that was all setup. Whoever told her that was wrong, because the end we got was weirdly forced and artificial, and the ending we’d have gotten with all setup would have made rather a lot of sense, payoff or no. And two is, at the back of this book, I learned that Robin Hobb also has the pen name Megan Lindholm, which is the same person as a Steven Brust co-author on a book I haven’t yet read but am now much more excited to pick up.

But not, y’know, next. Or indeed anytime soon.

Kaijû daisensô

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So I’m still watching Godzilla movies, right? Invasion of Astro Monster is on the one hand not nearly as weird as Ghidorah was. But on the other hand, it’s a much weirder Godzilla movie. See, there are radio signals from a planet beyond Pluto, which they have decided to call Planet X, and also it’s right next to (as in seems like a moon of) Jupiter, and in conclusion you can tell that the same people who were spouting paleontological knowledge in the first movie did the astronomical research for this one.

So these astronauts meet up with the citizens of Planet X, where King Ghidorah is rampaging and forcing them underground, and since from monitoring radio waves or whatever they have learned about how Earth survived Ghidorah’s attack, would we mind ever so much if they could borrow Godzilla and Rodan, in exchange for medical panaceas?

The problem with depth of genre knowledge is if good guy aliens ever show up offering us the keys to the universe, we’ll screw it up immediately by not believing them for a moment, since obviously it’s a trap.

Later, some monsters get in big fights, and the world’s most annoying toymaker makes the world’s most annoying toy, inspiring Tim Burton in the process. Oh, also of note: this is the first Criterion edition of these movies to have an English soundtrack instead of Japanese with subtitles. I don’t know if that was a Max choice or Criterion itself, but it is definitely what I had access to. (Made watching it at work a lot easier, I’ll say that much.)

San Daikaijû Chikyû Saidai no Kessen

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Okay. I have reached the point where I know what’s up. There are/were only two Godszilla, I have high confidence in this fact. The downside is, now I’m five movies into the series, and I was supposed to watch the first one and the ninth one. So, like… should I just go ahead and power through since I’m already more than halfway there?

There is one compelling factor here: Ghidorah, the Three-Headed Monster is one of the weirdest movies I’ve ever seen, and that is saying a lot.[1] See, there’s this princess of a nearby island nation who is trying to make a peace treaty with Japan, maybe? Or something. but also internal politics means there are people trying to assassinate her, and also sometimes with no explicit explanation provided, she is from Venus and has been on Earth for thousands of years. Also, the Mothra twins are visiting for a TV show appearance. Also, a meteor shower woke up Rodan, who you would have no reason to know (aside from watching a separate movie without a Godzilla) is a giant pterodactyl thing. Also also, there was a meteor shower that had one weird meteor that changes sizes and has sporadic magnetism, and landed in the Japanese Alps, a mountain range with which I was unfamiliar.

My point is, Godzilla doesn’t even show up until 40 minutes into the movie, and okay, it’s not his name on the title card, but King Ghidorah isn’t much sooner (and might be later still, for all I remember). In the meantime, the Venusian princess is warning people that “Rodan will wake up in a second so don’t go get that guy’s hat that blew down the hill”, or “don’t get on that ship because last time we saw Godzilla he was maybe drowned again, and ships go on water”, or “King Ghidorah destroyed all life on Venus and he’s here on Earth now so get your affairs in order.” Luckily, they didn’t write her as Cassandra, so after the first time she’s right, people start listening.

But the best part of the movie is close enough to the end that I’m going to warn of spoilers, even though I’ve been really cavalier up to now.

[1] I mean, it should be the weirdest movie basically anyone has ever seen, averaging out across the populace. But in the nichier markets there are some true unpolished gems. The Baby, anyone?

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Mosura tai Gojira

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When I realized that there was a Mothra movie that predated her interactions with Godzilla, I came very close to falling into the Marvel trap. But since OG Mothra wasn’t available to stream anywhere, I narrowly sidestepped a grim fate. It is important I think to remind myself that I’m only trying to figure out what’s going on with Godzillas, and just how many of them there are. This is not a Toho deep dive.

It’s not, I said!

This brings us to Mothra vs. Godzilla. Last time, Godzilla was left to an uncertain underwater fate. Naturally, therefore, there are zero Godszilla for the entire first third of this movie. Instead, we are treated to a tsunami, and a giant floating egg in the nearby ocean, and tiny twin girls who want the egg back from greedy amusement park developers who bought the egg from local fishermen, and my point is, there’s a lot of things going on which would be familiar to people who watched Mothra and unfamiliar to people who watched Godzilla movies.

Later, it is implied but not outright stated that Godzilla washed ashore and was buried in mud by the same tsunami that brought the egg into the area, and therefore it is implied that this is still Godzilla #2. Which I’m good with. Later, the powers of journalism triumph over the powers of capitalism, and the powers of kaiju silkworms triumph over the powers of kaiju lizards, resulting in approximately the same ending as the last movie, except with more of a Spider-Man webshooters vibe. Also, they made sure to re-use the native villagers set, although then again how do I know the Mothra movie didn’t have it before the Kong movie?

I hope nobody cares how extremely filled with spoilers these reviews are.

Godzilla x Kong: The New Empire

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Date night! Which means going to a used bookstore and then a combo dinner / late run movie since we had watched all the other ones again recently. Can’t always pick when babysitting will happen, and so.

Anyway, how does one even say this movie? Godzilla ex Kong? Godzilla times Kong? Godzilla and Kong? Do even the producers of the film know the answer to this question? (Do they care? I posit that they do not, since they have brand recognition regardless.) Anyhow: Godzilla x Kong: The New Empire is about how things are going since Godzilla and Kong had some fights to determine who was the alpha giant monster and ultimately decided, hey, you stay up here and you stay down here, and everything’s cool, right?

Right?

A brief digression, if you will indulge me, to discuss spoilers for the Monarch series up to this point. See, they’ve been trying to make a Hollow Earth theory happen forever. And once they got there, it’s… weird and not fully thought through. Somewhere between ten and X miles beneath the earth’s surface, there’s another land. That land is full of Titan sized animals, which makes sense in context, and is maybe a quarter of a mile deep before gravity flips and there’s more land, which makes no sense. Like, you’re on a mountain, and above you some few hundred yards off, is a different mountain, whose top could poke you in the head if it fell. Also, there’s no obvious source of light, and yet everything is extremely well lit. Is there a night time? no clue, neither if nor how.

Anyway, below that area are caves leading down another mile or three (or X; how would I know?) to another land, which I think is also double sided in the same way? I forget. So I guess we’re dealing with the Honeycomb Earth theory at this point.

What’s important is the movie is following three divergent plotlines. In the first, Godzilla is wandering around on the surface looking for energy sources because he’s planning to be in a really big fight soon, which obvs terrifies everyone. In the second, some of the characters we’d recognize from the last movie but none of the earlier ones (as usual) are chasing a signal underground that has agitated Kong (and maybe Godzilla?). In the third, Kong is following what could just possibly be his family, deeper into the honeycomb. And eventually he follows Gollum into the land of Mordor[1].

Later (and also earlier), some titans fight each other. No, it’s true! And in the end, there is what I think can fairly be called a new empire. The things I still don’t know are if I’ve spoiled myself for the Apple+ TV show and what they might possibly do with yet another sequel.

[1] This is more factual than you believe it to be.

Kingu Kongu tai Gojira

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You may recall that the only reason I’m watching these Godzilla movies is to determine just how many Godszilla there are, having been betrayed by the first one. So anyway, the third movie in the series maintains us on Godzilla number two, while introducing a surprise guest star!

King Kong vs. Godzilla is the story of how rival Japanese television networks try to drum up ratings by pitting Godzilla (who has recently been freed from an iceberg that is approximately where he ended up in the previous movie[1], which is how I know it’s the same Godzilla) against King Kong (who has recently been kidnapped from his home in the Solomon Islands by the lower in the ratings of the two TV networks, in a bid to gain marketshare by showing him off to Japan).

No really, that’s the whole movie. Wake up Godzilla who will attack Japan because it’s a habit at this point. Kidnap King Kong for ratings. Notice that maybe since he’s tall, he could defeat Godzilla and save Tokyo. Notice that atomic fire breath sets giant ape skin on fire same as everyone else’s. Notice that, implausibly, where a million volts of electricity makes Godzilla say “ow” and wander off in a different direction, it makes Kong say “yummy!” and then flex like Popeye on a week-long spinach bender. Put them both on the slopes of Mt. Fuji for an electro-charged rematch. Profit?[2]

I’d say you cannot make this stuff up, but, singing Mothra twins? This doesn’t even scratch the surface of what you can make up. In conclusion, Godzilla’s fate at the end of the movie was uncertain, which means I still have to watch another one. Sheesh. At least it’s on Max, because having to settle for 1080p because my Plex server couldn’t deal with the 4K version of this movie was an annoyance and a half.

[1] by meddling Americans, of course
[2] In fact, yes, massive, massive profit in the Japanese market.