I’m starting to feel like the Marvel Ultimate universe is suffering from some of the same bloat that, over decidedly more years, plagued its original line. Or maybe I’m just very picky about what I think should count? It’s no secret that I never really got Daredevil or Elektra: the movies were iffy at best, and Daredevil’s appearances and plugs in the stuff I’ve read from the ’60s never really convinced me about the wrongness of my initial impression. Still, I’m nothing if not an inveterate completist, and having once found this book, it was inevitable that I’d eventually read it.
Sadly, nothing about Ultimate Daredevil & Elektra really changed my opinion in this new age. Although I’m not familiar with either character’s origin story, the plot here was predictable and, frankly, performed much better in the third season of Veronica Mars, without any super powers in evidence. Actually, check that: I do like that neither character appears to have super powers. If the stories are continued somewhere down the line, that could turn into an interesting twist on the rest of the Ultimate universe. But on the whole, the story was muddled. Elektra’s vengeance motives were clear enough, and essentially the strongest part of the story despite the cliché. Her relationship with Matt Murdock seemed both forced and rushed, and ultimately without point; but so did the majority of his presence in the story.
I am forced to admit to a lack of surprise, since that matches my experience of the two characters in the movies as well. I’m sure I’ll read the Elektra-specific sequel too, but for now I’m going to disregard the claim of Volume 1 on the cover, because this book is 5 years old, and volume 2 is nowhere to be found. I guess that means everyone agreed with me?
One last point: the book also included an issue of [non-Ultimate] Daredevil, in the middle of a run and in which nothing of any particular interest happened. However, the art and lettering were extremely experimental in, unusual for me to claim, a good way. So it wasn’t a complete waste of time!
To be fair, the Stan Lee Daredevil was never popular; it was Frank Miller who revitalized a moribund character and popularized him in a darker, edgier mode. The Bendis run in this century is supposed to be good, too.
And the movie, of course, sucked.
Come to think of it, Joey Comeau said that to me last time I complained about Daredevil. I’m not sure if I’ll ever do anything with the knowledge, but t’s nice to know there’s at least *a* reason why he gets the love.